| Description |
1 online resource (87 pages) : illustrations, map, portraits |
| Series |
BFI film classics ; 50 |
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BFI film classics ; 50.
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| Contents |
Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1. From Rublev to 'Rublev' -- 2. The Via Crucis of 'Andrei Rublev' -- 3. The Shape of the Story -- 4. The Elevating Gaze -- Notes -- Credits -- Bibliography |
| Summary |
"Andrei Tarkovsky (1932-86) was one of the great poets of world cinema. A fiercely independent artist, Tarkovsky crafted films of beauty and depth. These qualities are present in abundance in Andrei Rublev (1966), Tarkovsky's first fully independent film. Ostensibly a biographical study of Russia's most famous medieval icon-painter, Andrei Rublev is both lyrical and epic, starkly naturalistic and allegorical, authentically historical and urgently topical. The Soviet authorities prevented the film's domestic release for five years, until its success at Cannes forced their hand. However, implacable enemies of the regime such as Aleksandr Solzhenitsyn also found Andrei Rublev's grim realism unsettling. While much remains mysterious in Andrei Rublev, critics have recently begun to re-appraise it as a groundbreaking film which exploits the manifold discontinuities of human experience to undermine comfortable notions of life and spirituality." "Robert Bird's multi-faceted account of Andrei Rublev extends this re-evaluation of Tarkovsky's radical aesthetic by establishing the film's historical context and presenting a substantially new reading of key scenes. Bird establishes the film's tortured textual history, which has resulted in two vastly different versions. He relates the film to traditions in Russian art and intellectual history, but finally his analysis focuses on Andrei Rublev as a visual and narrative artwork which treats the profoundest existential questions by challenging conventional notions of representation and vision."--Jacket |
| Bibliography |
Includes bibliographical references (pages 86-87) |
| Notes |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
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digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL |
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Print version record |
| Subject |
Roublev, Andreï (1360?-1430?; saint) -- Au cinéma. |
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Tarkovski, Andreï Arsenievitch, (1932-1986) |
| SUBJECT |
Strasti po Andrei︠u︡ (Motion picture)
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Strasti po Andrei︠u︡ (Motion picture) fast |
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Strasti po Andreyu gnd |
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Andrei Rublev film. ram |
| Subject |
Andrej Rublev (Tarkovskij)
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Films, cinema.
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9781349917693 |
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1349917699 |
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9781838714369 |
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1838714367 |
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9781838713065 |
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1838713069 |
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