Introduction : Race, passing, and cultural representation -- Home again : racial negotiations in modernist African American passing narratives -- Mezz Mezzrow and the voluntary negro blues -- Boundaries lost and found : racial passing and cinematic representation, circa 1949 -- "I'm through with passing" : postpassing narratives in Black popular literary culture -- "A most disagreeable mirror" : reflections of white identity in Black like me -- Epilogue : Passing, "color blindness," and contemporary discourses of race and identity
Summary
Examines constructions of racial identity through the exploration of passing narratives including Black Like Me and forties jazz musician Mezz Mezzrow's memoir Really the Blues
Notes
Revision of the author's thesis (Ph. D.)--Princeton University, 1995
Bibliography
Includes bibliographical references (pages 227-240) and index
Notes
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
English
Print version record
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