| Description |
1 online resource (xx, 306 pages) : illustrations |
| Series |
Princeton studies in opera |
|
Princeton studies in opera.
|
| Contents |
Ch. 1. Introduction: Music and the Story -- Ch. 2. A Family Resemblance -- Ch. 3. The Lighter Tone of Ballet-Pantomime -- Ch. 4. Ballet-Pantomime and Silent Language -- Ch. 5. Hybrid Works at the Opera -- Ch. 6. Giselle -- App. 1. Ballet-Pantomimes and Operas Produced at the Paris Opera, 1825-1850 -- App. 2. The Giselle Libretto |
| Summary |
"Marian Smith recaptures a period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opera (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera - and of nineteenth-century theater-going culture in general - may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opera during a period long celebrated for its box-office successes in both genres."--Jacket |
| Notes |
Includes libretto for Giselle in French with English translation |
| Bibliography |
Includes bibliographical references, and index |
| Notes |
English |
|
Print version record |
| Subject |
Adam, Adolphe, 1803-1856. Giselle
|
| SUBJECT |
Adam, Adolphe, 1803-1856. Giselle
|
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Staatstheater Nürnberg Ballett gnd |
|
Giselle (Adam, Adolphe) fast |
|
Europa gnd |
| Subject |
Opera -- France -- Paris -- 19th century
|
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Ballet -- France -- Paris -- History -- 19th century
|
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MUSIC -- Instruction & Study -- Voice.
|
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MUSIC -- Lyrics.
|
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MUSIC -- Printed Music -- Vocal.
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PERFORMING ARTS -- Dance -- General.
|
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Ballet
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Opera
|
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Oper
|
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France -- Paris
|
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Paris
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Europa
|
| Genre/Form |
History
|
| Form |
Electronic book
|
| ISBN |
9781400832477 |
|
1400832470 |
|
