| Description |
1 online resource |
| Contents |
Cover -- SWEET CANADIAN GIRLS ABROAD -- Title -- Copyright -- Dedication -- CONTENTS -- Acknowledgments -- Introduction: Why Actresses? The Personal and the Professional -- CHAPTER One Becoming an Actress: Childhood, Family, and the Stage -- CHAPTER TWO Working Lives -- CHAPTER THREE The Plays -- CHAPTER FOUR Celebrity -- CHAPTER FIVE Citizenship -- CHAPTER SIX The Interwar Decades: Retaining Old Patterns, Facing New Challenges -- CHAPTER SEVEN The Modern -- and Transnational -- Sweet Canadian Girl Onstage in London ...and New York ... and Sydney ... and Auckland -- Epilogue |
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Dramatis Personae -- Figures -- Notes -- Bibliography -- Index |
| Summary |
"By the late nineteenth century, Canadian women had begun forging careers as professional actresses, appearing not just in Canada, but in the United States, Britain, Australia, and New Zealand. They played an integral role in theatrical networks and helped shape transnational middle-class culture. Taking the approach of feminist collective biography, Sweet Canadian Girls Abroad writes the lives of women who, despite their renown during their lifetimes, have been all too easily forgotten. Cecilia Morgan examines these "sweet girls'" childhoods, their experiences of work, touring, and company management, the plays in which they appeared, and the celebrity they enjoyed. In so doing, she shows how women helped convey messages about race, empire, and white identity in popular culture. Spanning a period from the 1870s to the 1940s, Morgan demonstrates how actresses evolved within a period of change in theatre, how they coped with new challenges, and brought their craft to new media. Paying particular attention to the careers of Margaret Bannerman, Tony-Award winner Beatrice Lillie, Margaret Anglin, Julia Arthur, and Frances Doble, among many others, this book explores how being an actress abroad became work as well as profession for Canadian women. Extensively researched and generously illustrated, Sweet Canadian Girls Abroad argues for the importance of theatre, both to Canadian women's history and to our understanding of Canada in a transnational world."-- Provided by publisher |
| Analysis |
Australia |
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Britain |
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New Zealand |
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United States |
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biography |
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celebrity |
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childhood |
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citizenship |
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collective |
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feminist |
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formation |
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gender |
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imperialism |
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media |
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middle-class |
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national identities |
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race |
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radio |
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religion |
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suffrage |
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theatrical networks |
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whiteness |
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women |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Actresses -- Canada -- Biography
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Actresses -- Canada -- History -- 19th century
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Actresses -- Canada -- History -- 20th century
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Actresses -- Canada -- Social conditions -- 19th century
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Actresses -- Canada -- Social conditions -- 20th century
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HISTORY / Women
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Actresses
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Canada
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| Genre/Form |
collective biographies.
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Biographies
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History
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Biographies.
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Biographies.
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| Form |
Electronic book
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| ISBN |
0228013275 |
|
9780228013273 |
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