| Description |
1 online resource |
| Contents |
Introduction: Nick -- 1. Acting -- 2. Inner Monologue (IM) in Basic Psychology -- Mikayla -- 3. IM Everyday -- 4. IM in Acting -- Carolyn -- 5. IM as Enemy -- 6. IM versus Subtext -- Jacqueline -- 7. IM in Transitions -- 8. IM Alone Onstage -- Kirill -- 9. IM in Objective/Tactic/Obstacle -- Stephanie -- 10. IM Out of Your Head -- 11. IM in Script Scoring -- Zev -- 12. IM in Drama -- 13. IM in Film -- 14. IM in Classical Theatre -- Sarah -- 15. IM in Musical Theatre -- 16. IM in Comedy -- Andrew -- 17. IM in Style -- Rachel -- 18. IM in Auditions -- 19. IM in Other Psychological Situations -- 20. IM in Other Performance Forms -- Ian |
| Summary |
What should an actor be thinking onstage? This overlooked, important question is the crux of this new book that combines psychological theory, numerous practical exercises, and a thorough and wide-reaching examination of inner monologue in various forms including film, musical theatre, and comedy. The Inner Monologue is that 'stream of consciousness' or 'inner voice' that constantly echoes in your head. This revolutionary new book tames and harnesses that voice to be used as a powerful tool in acting. Written in an accessible tone, the book assists actors, directors and educators in their quest for deeper more thoughtful acting and is a perfect supplement to traditional actor training |
| Bibliography |
Includes bibliographical references |
| Notes |
English |
|
Print version record |
| Subject |
Acting -- Psychological aspects
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Actors -- Psychology.
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Acting techniques.
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PERFORMING ARTS -- Theater -- General.
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Performing Arts.
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Acting -- Psychological aspects
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Actors -- Psychology
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Acting techniques.
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Plays, playscripts.
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Theatre direction & production.
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Theatre: technical & background skills.
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Performing Arts.
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| Form |
Electronic book
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| ISBN |
9781137354297 |
|
1137354291 |
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9781137354273 |
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1137354275 |
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9781137354280 |
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1137354283 |
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