Introduction: From ethnoaesthetics to art history -- Truth or beauty: the revelatory regime of a Pintupi painting -- Practices of painting: a local history and a vexed intersection -- The aesthetic function and the practice of Pintupi painting: a local art history -- Making a market: cultural policy and modernity in the outback -- Burned out, outback: art advisers working between two worlds -- The "industry": exhibition success and economic rationalization -- After the fall: in the arts industry -- Materializing culture and the new internationalism -- Performing aboriginality at the Asia Society Gallery -- Postprimitivism: lines of tension in the making of aboriginal high art -- Unsettled business -- Recontextualizations: the traffic in culture -- Appendix: A short history of Papunya Tula exhibition, 1971-1985
Summary
The history of the Australian Aboriginal painting movement from its local origins to its career in the international art market
Bibliography
Includes bibliographical references (pages 373-389) and index
Notes
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
English
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