| Description |
ix, 275 pages : illustrations ; 25 cm |
| Series |
Critical essays on British literature |
|
Critical essays on British literature.
|
| Contents |
"The Englishman in Italy" : free trade as a principle of aesthetics / Robert Viscusi |
|
Dramatic monologue and the overhearing of lyric / Herbert F. Tucker -- Notes on some structural varieties and variations in dramatic "I" poems and their theoretical implications / Ralph W. Rader -- Consciousness as writing : deconstruction and reading Victorian poetry / E. Warwick Slinn -- Reading the reader in Robert Browning's dramatic monologues / John Maynard -- The divided subject / Loy Martin -- Projection and the female other : romanticism, Browning and the Victorian dramatic monologue / U.C. Knoepflmacher -- Browning's female signature / Adrienne Auslander Munich -- "Cleon" and its contexts / Antony H. Harrison -- Browning's Sordello and the parables of modernist poetics / Christine Froula -- Genre and poetic authority in Pippa passes / David G. Riede -- Browning and the primitive / Dorothy Mermin -- Browning's Strafford and the history of the present / David E. Latané, Jr |
| Analysis |
Browning, 1812-1889 Criticism and interpretation |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Also issued online |
| Subject |
Browning, Robert, 1812-1889 -- Criticism and interpretation.
|
| Author |
Gibson, Mary Ellis, 1952-
|
| LC no. |
91047110 |
| ISBN |
0816188610 (alk. paper) |
|
