| Description |
xv, 493 pages ; 22 cm |
| Contents |
Part 1 : an exploration of the new decade -- The radical lossening -- Ensemble beginnings -- Ritual and ceremony -- Environment -- Theatre in the street -- The spectator participates -- Part 2 : scripts, notes, logs, dialogues -- The OM-theatre workshop, Boston -- The open theatre -- The bread & puppet theatre -- The performance group -- The pageant players -- The firehouse theatre -- The bridge collective -- The living theatre -- The San Fransisco mime troupe -- Addendum to parts one and two -- Part 3 : to the radical theatre community -- Part 4 toward the millennium -- Julian Beck, Judith Malina, and the living theatre -- SQUAT -- Joe Chaikin : The open theatre, the winter project, and beyond -- The talking band -- Charles Ludlam and the ridiculous theatre company -- The bridge collective -- Margo Lee Sherman -- Meredith Monk, The house -- Mabou Mines -- Richard Foreman, Ontological hysteric theater -- Robert Wilson, The Byrd Hoffman school of byrds -- Helen Duberstein, Spiderwoman theater -- Marjorie Melnick, Up, prisons, motherhood -- Herbert Blau, Kraken -- Peter Schumann, The bread and puppet theater |
| Notes |
Includes index |
| Subject |
Experimental theater -- United States -- History -- 20th century.
|
|
Theater -- United States -- History.
|
| Author |
Sainer, Arthur.
The radical theatre notebook
|
| LC no. |
97012185 |
| ISBN |
1557831688 (paperback) |
|
