Description |
xxiii, 484 pages : illustrations, portraits ; 24 cm |
Contents |
I. History of film editing -- 1. The silent period -- 2. The early sound film -- 3. The influence of the documentary -- 4. The influence of the popular arts -- 5. Editors who became directors -- 6. Experiments in editing : Alfred Hitchcock -- 7. New technologies -- 8. International advances -- 9. The influence of television and theatre -- 10. New challenges to filmic narrative conventions -- 11. The MTV influence on editing I -- 12. The MTV influence on editing II -- 13. Changes in pace -- 14. The appropriation of style I : imitation and innovation -- 15. The appropriation of style II : limitation and innovation -- 16. The appropriation of style III : digital reality -- II. Editing for the genre -- 17. Action -- 18. Dialogue -- 19. Comedy -- 20. Documentary -- 21. Imaginative documentary -- 22. Innovations in documentary I -- 23. Innovations in documentary II -- 24. Ideas and sound -- III. Principles of editing -- 25. The picture edit and continuity |
|
26. The picture edit and pace -- 27. The sound edit and clarity -- 28. The sound edit and creative sound -- 29. Innovations of sound -- 30. Nonlinear editing and digital technology I -- 31. Nonlinear editing and digital technology II -- 32. Conclusion |
Notes |
Previous ed.: 2002 |
Bibliography |
Includes bibliographical references and index |
Subject |
Motion pictures -- Editing.
|
|
Video tapes -- Editing.
|
LC no. |
2006030196 |
ISBN |
0240807650 (paperback: alk. paper) |
|
9780240807652 (paperback: alk. paper) |
|