Socialist Yugoslavia was a country suspended between civilizations, political systems, and Cold War blocs. It produces a remarkable body of modern architecture, which similarly defies easy classification and blurs the lines between the established categories of modernism. This book explores the historical 'in-betweenness' of Yugoslav modernism and captures its visual richness and complexity through Wolfgang Thaler's new photographs
Bibliography
Includes bibliographical references (pages 266-268) and index
