| Description |
1 online resource (176 pages) |
| Contents |
A Korean Approach to Actor Training- Front Cover; A Korean Approach to Actor Training; Title Page; Copyright Page; Dedication; Contents; List of figures; Acknowledgements; Note on Korean terms; Chapter 1: Introduction: toward gained nature in artificiality; 1. An intercultural and psychophysical approach to acting and actor training; 2. Meditation and acting as a psychophysical 'technique'; 3. Tao, Te and kungfu; Chapter 2: Dahnhak meditation: recovering sensitivity toward mastery; 1. Introduction to Dahnhak; 2. Three Methods practice |
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Chapter 3: The Bald Soprano: forming an active-passive relationship1. Introduction; 2. From paper to time and space: the nature of acting; 3. Forming an active-passive relationship to a psychophysical score; Chapter 4: The Water Station: moving ki in inner and outer space; 1. Introduction; 2. A starting point of acting: a way of appreciation; 3. The 'visible' and the 'invisible'; 4. A design of awareness and ki: moving ki in time and space; 5. Autonomy of the ki-flow; Chapter 5: Playing 'The Maids': tuning emotional ki; 1. Introduction; 2. The Korean imagination: han and salpuri dance |
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3. Emotion as ki4. Tuning the characteristics of emotional ki; 5. A character's emotion and an actor's emotion; Chapter 6: Conclusion: a theory of sympathy; Bibliography; Index |
| Notes |
Print version record |
| Form |
Electronic book
|
| ISBN |
1317280512 |
|
9781317280514 |
|
