Acknowledgments; Introduction; Chapter One: The "Auspicious Other"; Chapter Two: The "Sympathized Other" and the "Distanced Self"; Chapter Three: The "Exotic Other"; Chapter Four: The "Destructive Other"; Chapter Five: The "Harmonious Other" and the "United Self"; Conclusion; Appendix 1; Appendix 2; Bibliography; Index; About the Author
Summary
This book is a comprehensive study of Chinese figures and motifs in medieval Japanese noh theater. It explores the images of China and their implications constructed in the so-called "karagoto-mono" (Chinese plays) that reflect the artistic preferences, as well as the cultural and sociopolitical sentiments towards China held by Muromachi noh artists and audiences
Bibliography
Includes bibliographical references and index
Notes
Print version record and CIP data provided by publisher; resource not viewed