| Description |
1 online resource (571 pages) |
| Series |
Critical Essays on European Theatre Performance Practice |
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Critical essays on European theatre performance practice.
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| Contents |
Cover; Half Title; Title; Copyright; Contents; Acknowledgements; Series Preface; Introduction; PART I ACTING AND PERFORMANCE; 1 'When Acting is an Art', in An Actor Prepares, trans. Elizabeth Reynolds Hapgood, London: Methuen, pp. 12-23.; 2 'Michael Chekhov on the Technique of Acting: ""Was Don Quixote True to Life?""', in Alison Hodge (ed.), Twentieth Century Actor Training, London: Routledge, pp. 79-97.; 3 'The Dance of the Future', in The Art of the Dance, New York: Theatre Arts Books, pp. 54-63 |
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4 'The Actor and the Uber-Marionette', in Franc Chamberlain (ed.), On the Art of Theatre, Abingdon: Routledge, pp. 27-48.5 'Actors on Brecht', in Peter Thomson and Glendyr Sacks (eds), The Cambridge Companion to Brecht, Cambridge: Cambridge University Press, pp. 278-96.; 6 'Introduction', in The Mastery of Movement, revised by Lisa Ullmann, Plymouth: Northcote House, pp. 1-17.; 7 'Samuel Beckett as Director: The Art of Mastering Failure', in John Pilling (ed.), The Cambridge Companion to Beckett, Cambridge: Cambridge University Press, pp. 196-208 |
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8 'Performance', in The Theatre of Growtowski, London: Methuen, pp. 128-43.9 'Theatre Theory: Sociology and the Actor's Technique', in Towards a Third Theatre; Eugenio Barba and the Odin Teatret, London: Routledge, pp. 30-40.; 10 'The Masks of Jacques Lecoq', in Franc Chamberlain and Ralph Yarrow (eds), Jacques Lecoq and the British Theatre, London: Routledge, pp. 71-84 |
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11 'Woman, Man, Dog, Tree: Two Decades of Intimate and Monumental Bodies in Pina Bausch's Tanztheater', in Rebecca Schneider and Gabrielle Cody (eds), Re:direction: A Theoretical and Practical Guide, London: Routledge, pp. 193-205.12 'On Risk and Investment', in Certain Fragments, London: Routledge, pp. 48-49.; 13 'On Seeing the Invisible', in Marina Abramović (ed.), The House with the Ocean View, Milan: Charta, pp. 171-79.; PART II STAGING PERFORMANCE |
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14 'Of the Futility of the ""Theatrical"" in the Theater', in Roger Shattuck and Simon Watson Taylor (eds), Selected Works of Alfred Jarry, London: Methuen, pp. 69-75.15 'Ideas on a Reform of Our Mise en Scéné', in Adolphe Appia: Essays, Scenarios and Designs, trans. Walther R. Volbach, ed. Richard C. Beacham, Ann Arbor, MI: UMI Research Press, pp. 101-107.; 16 'The Founding and Manifesto of Futurism', in Marinetti's Selected Writings, ed. R.W. Flint, New York: Farrar, Straus and Giroux, pp. 39-44 |
| Notes |
17 'Biomechanics and Constructivism', in Meyerhold: A Revolution in Theatre, London: Methuen, pp. 172-87 |
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Print version record |
| Form |
Electronic book
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| Author |
Holdsworth, Nadine
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Davis, Professor Jim
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Katritzky, Dr M. A
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| ISBN |
9781351938273 |
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1351938274 |
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