Description |
1 online resource (237 p.) |
Series |
Routledge Advances in Theatre and Performance Studies |
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Routledge advances in theatre and performance studies.
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Contents |
Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of contents -- Illustrations -- Acknowledgements -- Introduction -- My journey -- Indigeneity, identity and colonial anxieties: the creation of New Zealand in drama -- The overseas experience of New Zealand theatre -- Travelling theatre: concepts -- The nation and the feedback loop -- International and global -- Theatre as mirror and cosmopolitanism -- The particular, universal and the common -- The global marketplace -- The journey from here -- Notes -- References |
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1 National travels in an international world: Overseas performances 1940-1990 -- Colonial mimicry -- Towards cultural maturity -- Alternative internationalism -- Writing New Zealand away -- Richard O'Brien -- Roger Hall -- Robert Lord -- Regional or provincial? -- Notes -- References -- 2 A Kiwi Hedda Gabler: Downstage on the festival stage -- Festival markets -- Edinburgh International Festival -- Ibsenfestivalen -- International Covent Garden Festival -- Sydney Festival -- Travelling meanings -- After the tour -- Notes -- References -- 3 Performing mana: Taking Maori theatre to the globe |
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Maori playwriting abroad -- Case study: Toroihi raua ko Kahira -- Universalism -- Exoticism -- Countering colonialism: mana enacted -- Notes -- References -- 4 Skin Tight's world flight: The production of New Zealand plays by international companies -- Skin Tight as true to label? -- Margin to Margin: Mo & Jess Kill Susie -- Locating New Zealand -- Notes -- References -- 5 Beyond biculturalism: Touring Pasifika and transnational theatre -- Navigating Moana Oceania -- Narratives of migration -- Touring the transnational -- Reworking The Factory for the marketplace -- Finding a home -- Notes |
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My Best Dead Friend and Aunty -- Working on My Night Moves -- Making sense of the survey -- Notes -- References -- 9 Cultural apocalypse: The Generation of Z: Apocalypse in London -- Case study: The Generation of Z: Apocalypse -- Unleashing the virus -- The Generation of NZ? -- The Zombie audience -- Notes -- References -- Conclusion: Departure, arrival, return -- Notes -- References -- Appendix: Aotearoa New Zealand theatre productions performed overseas -- Index |
Notes |
Description based upon print version of record |
Bibliography |
References -- 6 Exporting culture: Indian Ink Theatre Company -- Entering the marketplace -- Global identities -- Diversifying the output -- Notes -- References -- 7 Selling the nation at the Edinburgh Festival Fringe -- The Fringe as market -- Creative New Zealand at Edinburgh -- Edinburgh Festival Fringe 2014 -- New Zealand at the Edinburgh Fringe 2015-2018 -- Evaluating the Edinburgh strategy -- Notes -- References -- 8 Making meaning: Responses to Aotearoa New Zealand at the Edinburgh Festival Fringe 2019 -- The focus shows -- Modern Maori Quartet: Two Worlds -- Super Hugh-Man |
Subject |
Theater -- New Zealand -- History -- 20th century
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Theater
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New Zealand
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Genre/Form |
History
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Form |
Electronic book
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ISBN |
9780429577246 |
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0429577249 |
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9780429575136 |
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0429575130 |
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9780429573026 |
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0429573022 |
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9780429200991 |
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0429200994 |
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