| Description |
1 online resource (xvi, 344 pages) : illustrations |
| Contents |
Cover; Contents; Foreword; Abbreviations; Illustrations; Introduction: The social context of the Baroque period: the beginnings of modernity; PART ONE: The survival of the classical paradigm of salvation in Roman Catholicism; 1. The theoretical mediation: the cross in Roman Catholic theology; 2. The aesthetic mediation: the cross in Baroque Catholic art; 3. The Passion in Catholic music; PART TWO: The cross in Protestant orthodoxy; 4. The theological mediation: Baroque Lutheran and Reformed theology of the cross; 5. The aesthetic mediation: The cross in Protestant art |
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6. The aesthetic mediation: Protestant Passion musicPART THREE: The challenge to the orthodox doctrine of redemption: the Enlightenment paradigm; 7. Challenges to the classical paradigm of the cross, and the emergence of a new paradigm of salvation; Envoi; Appendix 1: Virtual Museum; Appendix 2: Discography-Music of the Passion of the Baroque era; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Z |
| Summary |
This volume traces how theologies and the arts of the Baroque period stressed Christ's death on the cross as the means of salvation, and invited believers to an emotional response that binds them to Christ's saving act |
| Bibliography |
Includes bibliographical references (pages 329-339) and index |
| Subject |
Jesus Christ -- Crucifixion.
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Jesus Christ -- Art
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| SUBJECT |
Jesus Christ fast |
| Subject |
Christianity and the arts -- History -- 17th century
|
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RELIGION -- Christianity -- General.
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Christianity and the arts
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Crucifixion of Jesus Christ
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| Genre/Form |
Art
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History
|
| Form |
Electronic book
|
| Author |
Oxford University Press.
|
| ISBN |
9780199352708 |
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0199352704 |
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9780199352692 |
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0199352690 |
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