| Description |
279 pages : illustrations (some color) ; 23 cm |
| Series |
Tate Liverpool critical forum ; v. 10 |
|
Tate Gallery Liverpool critical forum ; v. 10
|
| Contents |
1. Introduction: Curatorial imperialism: From 'Tate in the North' to Tate Liverpool's capital of culture / Jonathan Harris -- 2. Found in conflict (Bashir Makhoul in conversation with Gordon Hon) -- 3. Traffic in remains: identity and resistance in recent work by Turkish artists / Lewis Johnson -- 4. Writing identities and constructing heritage in Latin American architecture / Felipe Hernández -- 5. Surface tension: reconsidering horizontality in the work of Iranian 'diaspora' artists / Amna Malik -- 6. Finding your contemporaries: the modernities of African Art / Will Rea -- 7. Lovers of life for heterogeneous time / Nicole Wolf -- 8. 'United colours of Papua': Kamoro arts and cultural appropriation / Karen Jacobes -- 9. Striking: the right to strike - The striking image - Striking the right / Nicholas Mirzoeff -- 10. 'All that is solid melts into air' but 'I can't change anything': on the identity of the artist in the networks of global captial / Angela Dimitrakaki -- 11. Identity theft: stealing, faking, forging in contemporary art / Laura Sillars |
| Analysis |
Modern Art |
|
Arts and society |
|
Latin American art |
|
Tate Liverpool |
| Notes |
Essays derived from a Tate Liverppool and University of Liverpool 'Critical Forum' conference held in Spring 2006, which marked the gallery's exhibition 'Inverting the map: Latin American art from the Tate Collection.' |
| Bibliography |
Includes bibliographical references |
| Subject |
Painting, Modern -- 20th century -- Congresses.
|
|
Art, South America -- 20th century -- Exhibitions -- Congresses
|
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Art -- Political aspects -- Argentina -- Congresses.
|
| Genre/Form |
Conference papers and proceedings.
|
|
Exhibition catalogs.
|
| Author |
Harris, Jonathan (Jonathan P.)
|
|
Tate Gallery Liverpool.
|
|
University of Liverpool.
|
| ISBN |
9781846311031 cased |
|
9781846311024 paperback |
|
