| Description |
1 online resource (xl, 143 pages) |
| Series |
American Indian studies series |
|
American Indian studies series (East Lansing, Mich.)
|
| Contents |
Introduction -- Part 1. Modern monsters, modern borders. The yellow monster : reanimating nuclear fears in The ballad of Billy Badass and the rose of Turkestan -- Radioactive rabbits and "illegal aliens" : border crossing in It came from Del Rio -- Part 2. Reimagining resistance. Until the danger passes : imagining dystopian sovereignty in Field of honor -- The stories began to change : rewriting removal in Riding the Trail of Tears -- Coda |
| Summary |
"Demonstrating how Indigenous science fiction expands the boundaries of the genre while reinforcing the relevance of Native knowledge, author Miriam C. Brown Spiers analyzes four novels: William Sanders's The Ballad of Billy Badass and the Rose of Turkestan, Stephen Graham Jones's It Came From Del Rio, D. L. Birchfield's Field of Honor, and Blake M. Hausman's Riding the Trail of Tears"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Miriam C. Brown Spiers is an assistant professor of English and interdisciplinary studies at Kennesaw State University |
|
Description based on online resource; title from digital title page (viewed on August 14, 2023) |
| Subject |
Science fiction, American -- Indian authors -- History and criticism
|
|
American fiction -- Indian authors -- History and criticism
|
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American fiction -- 21st century -- History and criticism
|
|
Indians in literature.
|
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Science fiction, American -- History and criticism
|
|
LITERARY CRITICISM / General
|
|
Science fiction, American
|
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Indians in literature
|
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American fiction -- Indian authors
|
|
American fiction
|
| Genre/Form |
Literary criticism
|
|
Criticism, interpretation, etc.
|
|
Literary criticism.
|
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Critiques littéraires.
|
| Form |
Electronic book
|
| ISBN |
9781609176808 |
|
1609176804 |
|
9781628954470 |
|
1628954477 |
|
