| Description |
1 online resource (349 pages) |
| Series |
Media Practice |
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Media practice.
|
| Contents |
The Music Industry Handbook- Front Cover ; The Music Industry Handbook; Title Page ; Copyright Page ; Contents; List of figures; List of tables; Notes on contributors; Acknowledgements; Foreword by Feargal Sharkey; Chapter 1: Introduction; WORKING IN THE MUSIC INDUSTRY; AN IRREGULAR OCCUPATION; LEARNING MORE ABOUT THE MUSIC INDUSTRY; MUSIC INDUSTRY EDUCATION; COMPARTMENTALISING THE MUSIC INDUSTRY; Chapter 2: Music into industry; INTRODUCTION; COMPETITIVE MUSIC AND 'SHREDDING'; THE 'WORLDWIDE MUSIC SPHERE'; CREATING MUSIC: PURPOSE OR PLEASURE?; CYCLES OF MUSICAL INFLUENCE |
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Music as commodity: commercial connectionsthe demo-maker; reinventing the wheel; producing recordings in the home and the 'portastudio'; the rise of the demo-maker; electronic music packages; external studios; commercial music purposing and 'moth-to-flame' effect; bringing music to the audience and consumer relations; a & r theory; the discovery service; a & r filtering and natural selection; establishing opportunity and a & r reticence; beyond a & r; buzz factoring; alienation for the creative masses; media acceptance for the creative masses on a global scale; standards in music demo production |
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APPROACHING MUSIC COMPANIESChapter 3: The live music industry sector; INTRODUCTION; THE VENUE: STAFFING INFRASTRUCTURE; CONCERT PROMOTIONS; THE TOUR MANAGER; THE 'CONCERT-GOING' EXPERIENCE; CONCEPTUALISING THE EVENT; THE PRODUCTION MANAGER; THE CONCERT AGENT; EVENT PUBLICITY, PROMOTION AND PUBLIC RELATIONS IN LIVE ENTERTAINMENT; SOUND RE-ENFORCEMENT; ROADIES: ROAD CREW ASSISTANTS; INSTRUMENT TECHNICIAN; SUPPORT SERVICES TO THE LIVE MUSIC INDUSTRY; Chapter 4: Music ownership into copyright; ADMINISTERING MUSIC; DEFINING 'THE SONG'; ADDRESSING OWNERSHIP |
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UNDERSTANDING COPYRIGHT IN MUSIC AND MUSIC PRODUCTSCOPYRIGHT IN SONGS -- COPYRIGHT IN RECORDINGS; THE ISRC CODE: IDENTIFYING SOUND RECORDINGS; INTELLECTUAL PROPERTY; Chapter 5: Music publishing; MANAGING THE CREATIVE OUTPUT OF THE SONGWRITER; MUSIC PUBLISHING: A BRIEF HISTORY; INDEPENDENT MUSIC PUBLISHING; SONGWRITERS AND SMALL PUBLISHERS: THE PITFALLS; MAJOR MUSIC PUBLISHING CONTRACTS; REVIVING FORTUNES IN MUSIC PUBLISHING; PUBLISHING AGREEMENTS; SETTING UP IN BUSINESS AS A MUSIC PUBLISHER; THE MUSIC PUBLISHERS ASSOCIATION |
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COPYRIGHT CONTROL AND THE WORK OF THE PUBLISHER AND SUB-PUBLISHING OVERSEASTO PUBLISH OR NOT TO PUBLISH -- THAT IS THE QUESTION; THE ROLE OF THE PERFORMING RIGHT SOCIETY; THE MECHANICAL COPYRIGHT PROTECTION SOCIETY; Chapter 6: The recorded music industry sector; INTRODUCTION; MAJOR RECORDING COMPANIES; INDEPENDENT LABELS AND ACQUISITIONS; RESPONSIBILITIES OF THE INDEPENDENT; IMPRINTS AND SUB-LABELS; VANITY LABELS; LABEL DOMINANCE IN THE MUSIC INDUSTRY; THE SIGNIFICANCE OF THE MAJORS; OWNERSHIP IN RECORDINGS AND MUSIC PRODUCTIONS; RECORDING COMPANY DIVISIONS AND CORE FUNCTIONS |
| Notes |
Making money from recorded products: ppl |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Print version record |
| Subject |
Music trade -- Great Britain -- Handbooks, manuals, etc
|
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Music trade.
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Great Britain.
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| Genre/Form |
Handbooks and manuals.
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| Form |
Electronic book
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| ISBN |
9781317434610 |
|
1317434617 |
|
9781315692876 |
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1315692872 |
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