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Author Rushton, Richard.

Title Cinema After Deleuze / Richard Rushton
Published London : Continuum International Publishing Group, [2012]
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Description 1 online resource (174 pages)
Series Deleuze encounters
Deleuze Encounters.
Contents Title page; Copyright page; Contents; Acknowledgements; Chapter 1: What Questions does Deleuze's Philosophy of Cinema Answer?; What are the Questions?; Chapter 2: The Movement-Image (I): Griffith, Eisenstein, Gance, Lang; The Movement-Image; D.W. Griffith; Eisenstein and Soviet Montage; Abel Gance and French Impressionism; Fritz Lang and German Expressionism; Chapter 3: The Movement-Image (II): Ford and Kazan; Perception, Action, Affection; The Large Form of the Action-Image: John Ford; Kazan and the American Dream; Chapter 4: The Movement-Image (III): Hawks and Hitchcock
Abbas Kiarostami: The Open ImageNotes; Chapter 4; Chapter 6; Chapter 7; Chapter 8; Chapter 10; Filmography; Index
Actual and Virtual, Past and Present: Last Year in Marienbad (1961)Chapter 8: Thought and Cinema; Eisenstein: A Shock to Thought; Godard: To Believe in this World; Belief in this World; Chapter 9: Cinema After Deleuze (I): The Persistence of the Movement-Image; Steven Spielberg: Echoes of the Large Form; Martin Scorsese: Picking up the Pieces of the Small Form; Luc Besson: The Cinéma du Look or the Spectacle-Image; Chapter 10: Cinema After Deleuze (II): Recent Elements of the Time-Image; Lars von Trier: A Cinema Against Ethics; Wong Kar-Wai: The Floating-Image
The Small Form of the Action-Image: Howard HawksThe Relation-Image: Alfred Hitchcock; On Vertigo; Chapter 5: The Time-Image (I): Italian Neorealism and After; What is the Time-Image?; Italian Neorealism; Antonioni; Chapter 6: The Time-Image (II): Ophüls and Fellini; The Time of the Time-Image; Time, Memory and the Past; Max Ophüls: Letter from an Unknown Woman, Lola Montès, La ronde; The Crystal-Image; Federico Fellini; Chapter 7: The Time-Image (III): Welles and Resnais; The Actual and the Virtual; Dreaming of an American Uncle
Summary CinemaAfter Deleuzeoffers a clear and lucid introduction to Deleuzes writings on cinema whichwill appeal both to undergraduates and specialists in film studies andphilosophy. The book provides explanations of the many categories andclassifications found in Deleuzes two landmark books on cinema and offersassessments of a range of films, including works by John Ford, SergeiEisenstein, Alfred Hitchcock, Michelangelo Antonioni, Alain Resnais and others. Contemporary directors such as Steven Spielberg, Lars von Trier, MartinScorsese and Wong Kar-wai are also examined in the light of Deleuzes theorie
Bibliography Includes bibliographical references, filmography and index
Notes Print version record
Subject Deleuze, Gilles, 1925-1995 -- Criticism and interpretation.
Motion pictures -- Philosophy.
Genre/Form Criticism, interpretation, etc.
Form Electronic book
ISBN 1441182888 (electronic bk.)
9781441182883 (electronic bk.)