| Description |
1 online resource (710 pages) |
| Series |
Visual Anthropology |
|
Visual Anthropology
|
| Contents |
Cover; Half Title; Title Page; Copyright Page; Table of Contents; Introduction to the Series; Introduction; Collaboration in Ethnographic Filmmaking: A Personal View; A. Anthropologists and Filmmakers; B. Television Producers and Anthropologists; Summary; Acknowledgements; Notes; References Cited; Films Cited; Reviews of some of the Films of Timothy Asch; Anthropologists and Ethnographic Filmmaking; Introduction; The Personnel Involved in the Production of Ethnographic Film; Ethnographic Film and the Diffusion of the Anthropological Message; Acknowledgements; References Cited |
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Against Reductionism and Idealist Self-Reflexivity: The Ilparakuyo Maasai Film ProjectI. Introduction; II. Three Epistemologies in Anthropological Film; III. The Practice of Filmmaking Among the Ilparakuyo; IV. Style as Critique in the Ilparakuyo Films; V. Conclusion; Notes; References Cited; Visual Anthropology And The Future of Ethnographic Film; How Impartial is the Ethnographic Record?; The Background of an Ethnographic Film; What are Ethnographic Films For?; The Development of Ethnographic Film; Searching for the Ethos in Anthropological Films |
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Visual Anthropology"s Contribution to Ethnographic FilmReferences Cited; Films Cited; Third Eye: Some Reflections On Collaboration For Ethnographic Film; Background of the Project: A Narrative Account; Vicissitudes of Collaboration; Production and Beyond; Acknowledgements; References Cited; Films Cited; Reviews of the Above Films; SOUTHEAST NUBA: A Biographical Statement; Background and Genesis; The Filming; Editing and Final Production; Reflection and Critique; Notes; References Cited; Films Cited; Major Films of James Faris; Reviews of the above Films |
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What To Tell And How To Show It: Issues In Anthropological FilmmakingAcknowledgements; References Cited; Films Cited; Major Films by Solveig Freudenthal; An Interview; Gone With The Gael: Filming In An Irish Village; Selection of a Site; Getting Started in the Gaeltacht; The Later Stages; A Film is Born; Use of Film in Teaching; References Cited; Films Cited; The Controversy About Kypseli; Readings On Kypseli; New Guinea In Italy: An Analysis Of The Making Of An Italian Television Series From Research Footage Of The Maring People Of Papua New Guinea; Development of the Project |
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Emerging ObservationsProfessional Differences in Work Style and Approach; The Audience; Conclusions; References Cited; The Major Films of Allison Jablonko; Reviews of the above Films; On The Making Of EZE-NWATA -- THE SMALL KING; Film and Fieldwork; The Editing Process; Film Truth and Reality; The Audience #1; Eze Nwata -- The Small King; The Audience #2; Prospects; Conclusion; Notes; References Cited; Films Cited; The Major Films of Sabine Jell-Bahlsen; Reviews of the above Films; Filming As Teleological Process; Filming and Ethnographic Fieldwork; Briefing Sessions and Filming; Film as Data |
| Summary |
First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company |
| Notes |
Technical Considerations |
|
Print version record |
| Subject |
Ethnology -- Methodology
|
|
Motion pictures in ethnology
|
| Form |
Electronic book
|
| ISBN |
9781134332106 |
|
1134332106 |
|
