| Description |
1 online resource (193 p.) |
| Series |
GRACE Project Ser |
|
GRACE Project Ser
|
| Contents |
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- Contributors -- Acknowledgements or Credits List -- 1. Performing Cultures of Equality: Embodiments, Visualities, Inscriptions -- PART I: Embodying (In)Equalities -- 2. Honey Pot Performance's Black Feminist Praxis: Embodiments of Collaboration and Collectivity -- 3. The Performance of Black Youth Masculinity in Bola Agbaje's and Mojisola Adebayo's Council-Estate Plays |
|
4. Art's Political Potential and the Violence That the Art Does: On the Performative Operations of Krzysztof Wodiczko's Guests (2016) -- PART II: Visualizing (In)Equalities -- 5. Tinted Visions: Performing Equalities through Festive Decorations in LGBT-Themed Events in Hull (UK City of Culture 2017) -- 6. Social Media Reverberations of Feminist Assemblies: Reflections after Non una di meno's Verona transfemminista Rally -- 7. Gender-Based Violence and the Performance of Masculinity: A Comparative Analysis of the Documentary Films Ma l'amore c'entra and Serás hombre |
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PART III: Inscribing (In)Equalities -- 8. Strangers, Persisters, and Killjoys: Confronting Gender Inequality through Performance Poetry -- 9. Imperialism's Performative Technologies: Race, Gender, and Wearable Devices in Aliette De Bodard's 'Immersion' -- 10. Figures of a Gender Now upon Us: The Transfeminine in Contemporary Queer Fiction from the Philippines -- Index |
| Notes |
Description based upon print version of record |
| Subject |
Performance art.
|
|
Performance art
|
| Form |
Electronic book
|
| Author |
Rodríguez González, Carla
|
|
Clisby, Suzanne
|
| ISBN |
9781000575095 |
|
1000575098 |
|
