| Description |
1 online resource (621 pages) |
| Contents |
Cover; Half Title; Title Page; Copyright Page; Table of Contents; Acknowledgments; Foreword; Charting Courses through Terror's Wake: An Introduction; Part One: Music, The United States, and the Mass Media After 9/11; Chapter 1: Pop Goes to War, 2001-2004: U.S. Popular Music after 9/11; Initial Responses; Country Music Matters; Corporate Radio Stifles Dissent; Real Patriots don't Dissent; "Time to get Mad"; Conclusion; Acknowledgments; Notes; Chapter 2: "America: A Tribute to Heroes": Music, Mourning, and the Unified American Community; "America: A Tribute to Heroes"; Conclusion; References |
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NotesChapter 3: The Sounds of American and Canadian Television News after 9/11: Entoning Horror and Grief, Fear and Anger; The Politics of the News; The United States; Canada; Music for the News; The Sounds of Television News Music After 9/11; United States; Canada; Conclusions; Appendix; References; Acknowledgments; Notes; Chapter 4: Models of Charity and Spirit: Bruce Springsteen, 9/11, and the War on Terror; Situating Springsteen within the Politics of Fear, Fame, and Faith; Spirits above and behind: A Reading of Christian Themes in Springsteen's Post-9/11 Works |
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Saving Souls: Springsteen and American Politics in the Post-9/11 WorldReferences; Discography; Acknowledgments; Notes; Chapter 5: Double Voices of Musical Censorship after 9/11; Questionable Song Lyrics, Unpatriotic Politics?; Grassroots Flak or Corporate Censorship?; Prudent Forbearance or Compromised Self-Censorship?; Afterword; Acknowledgments; References; Notes; Chapter 6: "Have you forgotten?": Darryl Worley and the Musical Politics of Operation Iraqi Freedom; The Genesis of a Country Music Anthem; The Anthem of the War; Conclusion |
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Appendix I: Timeline for Iraq War and "Have you Forgotten?"Acknowledgments; References; Notes; Chapter 7: For alle Menschen?: Classical Music and Remembrance after 9/11; References; Notes; Part Two: Music and 9/11 beyond the United States; Chapter 8: Terror in an Andean Key: Peasant Cosmopolitans Interpret 9/11; Terror and Carnival in the Fajardo Province; The Songs of "11-S"; Conclusion: Peasant Cosmopolitanism and the Ethics of Empathy; Acknowledgments; Appendix: 9/11 Pumpin Song Texts; 1. "Bin Laden"; 2. "Injusticia en el Mundo" ("Injustice in the World"); 3. "Osama Bin Laden." |
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4. "Tragedia en Norteamerica" ("Tragedy in North America")5. "Waqay Vida Llaki Vida" ("Life of Sadness, Life of Tears"); References; Notes; Chapter 9: Exploding Myths in Morocco and Senegal: Sufis Making Music after 9/11; Up from Moroccan Soil; "The Spirit of Fez" in America; Taking a Stand in Senegal: Youssou N'Dour; Can Voices Carry?; Acknowledgments; Notes; Chapter 10: Corridos of 9/11: Mexican Ballads as Commemorative Practice; The Realm of Folk Commemoration; From the Local to the Global Corrido; The 9/11 Corridos; Continuities of Style and Function; Formulating 9/11 |
| Summary |
Music in the Post-9/11 World addresses the varied and complex roles music has played in the wake of September 11, 2001. Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this groundbreaking volume examine a diverse array of musical responses to the terrorist attacks of that day, and reflect upon the altered social, economic, and political environment of ""post-9/11"" music production and consumption. Individual essays are devoted to the mass-mediated works of popular musicians such as Bruce Springsteen and Darryl Worley, as wel |
| Notes |
Unfinished Commemorative Practice |
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Print version record |
| Form |
Electronic book
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| Author |
Daughtry, J. Martin
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| ISBN |
9781135866907 |
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1135866902 |
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