| Description |
1 online resource (272 p.) |
| Contents |
Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of illustrations -- List of contributors -- Acknowledgments -- Live music studies in perspective -- PART I: Promotion -- 1. Festivals, free and unfree: Alex Cooley and the American rock festival -- 2. As long as they go home safe: The voice of the independent music festival promoter -- 3. Under the cover of darkness: Situating "covers gigs" within live music ecologies -- 4. Showcase festivals as a gateway to foreign markets -- 5. Disruption and continuity: Covid-19, live music, and cyclic sociality -- PART II: Production |
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6. Live sound matters -- 7. Mobile spectacle: Es Devlin's Pandemonium tour design -- 8. Fulfilling the hospitality rider: Working practices and issues in a tour's supply chain -- 9. Vocaloid liveness? Hatsune Miku and the live production of Japanese virtual idol concerts -- PART III: Consumption -- 10. Making music public: What would a sociology of live music promotion look like? -- 11. Dead stars live: Exploring holograms, liveness, and authenticity -- 12. Live ... as you've always heard it before: Classic rock, technology, and the re-positioning of authenticity in live music performance |
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13. Approaching the live from a distance: The unofficial Led Zeppelin archive -- PART IV: Policy -- 14. Music cities, or cities of music? -- 15. State of play: Tensions and interventions in live music policy -- 16. Por Más Músicas Mujeres en Vivo!: The Live Music Female Quota law and its implications for Argentine music festivals -- 17. Beyond live shows: Regulation and innovation in the French live music video economy -- Index |
| Notes |
Description based upon print version of record |
| Subject |
Music festivals -- History
|
|
Concert tours -- United States
|
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Concert tours
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Music festivals
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United States
|
| Genre/Form |
History
|
| Form |
Electronic book
|
| Author |
Pisfil, Sergio
|
| ISBN |
9781000476163 |
|
1000476162 |
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