| Description |
1 online resource |
| Series |
Internationale forschungen zur allgemeinen und vergleichenden literaturwissenschaft ; volume 185 |
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Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; volume 185.
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| Contents |
George Eliot and Tolstoy: the human face-substance or spirit? -- Poe and Gogol: the face as principle of order -- Gombrowicz and Woolf: the face as culture -- Conclusion |
| Summary |
Anti-Portraits: Poetics of the Face in Modern English, Polish and Russian Literature (1835-1965) is a study of a-physiognomic descriptions of the face. It demonstrates that writers such as George Eliot, Leo Tolstoy, Edgar Allan Poe, Nicolay Gogol, Virginia Woolf and Witold Gombrowicz vigorously resisted the belief that facial features reflect character. While other studies tend to focus on descriptions which affirm physiognomy, this book examines portraits which question popular face-reading systems and contravene their common premise ¿́¿ the surface-depth principle. Such portraits reveal that physiognomic formula is a cultural construct, invented to abridge, organise and regulate legibility of the human face. Most importantly, strange and ¿́¿unreadable¿́¿ fictional faces frequently expose the connection between physiognomic judgement and stereotyping, prejudice and racism |
| Subject |
Physiognomy in literature.
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Face in literature.
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Literature, Modern -- 19th century -- History and criticism.
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Literature, Modern -- 20th century -- History and criticism.
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BIOGRAPHY & AUTOBIOGRAPHY -- Literary.
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Face in literature
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Literature, Modern
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Physiognomy in literature
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9789004302266 |
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9004302263 |
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