Description |
xviii, 294 pages : illustrations (some color) ; 25 cm |
Contents |
Introduction / Herbert Read -- Antecedents -- Leonardo. 1. The Last Supper. 2. The Mona Lisa. 3. The Virgin and Child with St. Anne. 4. The Battle of Anghiari -- Michelangelo (up to 1520). 1. Early Works. 2. The Ceiling of the Sistine Chapel. 3. The Monument of Julius II -- Raphael. 1. The Sposalizio and the Entombment. 2. The Florentine Madonnas. 3. The Camera della Segnatura. 4. The Camera d'Eliodoro. 5. The Tapestry Cartoons. 6. The Roman Portraits. 7. Roman Altarpieces -- Fra Bartolommeo -- Andrea Del Sarto. 1. The Annunziata Frescoes. 2. The Frescoes in the Scalzo. 3. Madonnas and Saints. 4. A Portrait by Andrea -- Michelangelo (after 1520). 1. The Medici Chapel. 2. The Last Judgement and the Cappella Paolina. 3. The Decline -- The New Ideals -- The New Beauty -- The New Pictorial Form. 1. Repose, Spaciousness, Mass and Size. 2. Simplification and Lucidity. 3. Complexity. 4. Unity and Inevitability |
Summary |
"Heinrich Wolfflin was a pioneering critic who introduced new and rigorous methods of formal analysis into the study of art. Classic Art, first published in 1899, is itself a classic that has exercised a profound influence on the way people have looked at and thought about art. As an appraisal of the great artists of the Renaissance it can hardly be surpassed." - product description |
Analysis |
Italy |
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Visual arts |
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Italy |
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Visual arts |
Notes |
Includes index |
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Translated from the German L. and P. Murray |
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Translated from the German by L. and P. Murray |
Bibliography |
Includes bibliographical references |
Subject |
Art -- Italy -- History.
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Art, Italian -- History.
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Art, Italian.
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Art, Renaissance -- Italy.
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Author |
Murray, Linda.
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Murray, Peter.
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LC no. |
99495141 95148652 |
ISBN |
0714829749 |
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9780714829746 |
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