Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Preface; Acknowledgments; Part I: Theory and Methodology; Chapter One: Postmortem on Postfeminism; Chapter Two: Femininity as Mas(s)querade; Chapter Three: Some Functions of Feminist Criticism; or, The Scandal of the Mute Body; Part II: Masculinity and Male Feminism; Chapter Four: A Father is being Beaten: Male Feminism and the War Film; Chapter Five: Three Men and Baby M; Chapter Six: The Incredible Shrinking He(r)man: Male Regression, the Male Body, and Film; Part III: Race, Gender, and Sexuality
Chapter Seven: Cinema and the Dark Continent: Race and Gender in Popular FilmChapter Eight: Lethal Bodies: Thoughts on Sex, Gender, and Representation from the Mainstream to the Margins; Notes; Index of Films; Index
Summary
In a series of essays scrutinizing feminist and post-structuralists positions, Tania Modleski examines ""the myth of postfeminism"" and its operation in popular culture, especially popular film and cultural studies. In a (First published in 1991.)
