| Description |
1 online resource (244 pages) |
| Series |
Routledge Global Popular Music Series |
|
Routledge global popular music series.
|
| Contents |
Cover; Title; Copyright; Dedication; Contents; List of Illustrations; Series Foreword; Preface; Introduction: Debating Genre, Class, and Identity: Popular Music and Music Scenes from the Latin American World; Part I: Music Scenes and Historical Issues; 1 The Carpas Shows in Mexico City (1900-1930): An Ethno-Historical Perspective to a Musical Scene; 2 Nineteenth Century Spanish American Salon as a Translocal Music Scene; Part II: Imaginaries, Identity, and Politics; 3 Representing Ayacucho: Music, Politics, Commerce, and Identity in an Andean Music Scene in Lima |
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4 Imagining Traditions: Performance and Social Imagination in the Urban Cueca Scene in Santiago de Chile (2000-2010)Part III: Cumbia, Class, and Nation; 5 "Cumbia, Nena": Cumbia Scene, Gender, and Class in Argentina; 6 The Ecuadorian Popular Music Scene in Quito: Contesting the National Imaginary; 7 Chicha Music, Urban Subalternity, and Cultural Identities in Peru: Construction of the Local and Translocal Scene; Part IV: Global Flows; 8 Merengue on the Move: Making Music, Place, and Community in the Típico World |
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9 The Geopolitics of Queer Tango: From Buenos Aires to a Community of Translocal Practice10 Otavalan Transnational Music-Making: The Andean Music Scene in Japan; Part V: Beyond Music Scenes; 11 Voice in Fernando Ortiz: Tools for Rethinking the Notion of Scene; 12 Epilogue: Reconsidering Music Scenes from a Latin American Perspective; Afterword; 13 "We Live in Mixture, and Are Constantly Mixing Together Our Musical Expressions". A Conversation with Susana Baca, Peruvian Singer and Former Minister of Culture; Final Remarks; Notes on Contributors; Index |
| Notes |
Print version record |
| Form |
Electronic book
|
| Author |
Espinosa, Christian Spencer
|
| ISBN |
9781134737260 |
|
1134737262 |
|
