| Description |
1 online resource (xiv, 320 pages) : illustration |
| Contents |
Introduction : Latin literature's complex inferiorities / Sebastian Matzner -- Claiming inferiority : weakness into wtrength / William Fitzgerald -- How do you solve a problem like Horace? : on Roman Philhellenism and post-colonial critique / Sebastian Matzner -- Blackface and drag in the Palliata / Amy Richlin -- Social inferiority and poetic inferiority : Martial's revenge in his epigrams : a commentary on Martial 5.13 / Jean-Claude Julhe -- Drawing blanks : the pale shade of 'Phaedrus' and 'Juvenal' / Tom Geue -- The creative superiority of self-reproach : Horace's Ars Poetica / Victoria Rimell -- The noise, and the people : popular clamor and political discourse in Latin historiography / Ellen O'Gorman -- Loud and proud : the voice of the praeco in Roman love elegy / Dunstan Lowe -- Hidden voices : homoerotic dolour in Horace's odes / Stephen Harrison -- On not being beautiful / G. O. Hutchinson -- From adultery to incest : Messalina and Agrippina as sexual aggressors in Tacitus' Annals / Vassiliki Panoussi -- The Aeneid as 'weaker text' and Fulgentius' radical hermeneutics / Shadi Bartsch -- Cowherds and saints : Paulinus of Nola Carmen 18 / Philip Hardie |
| Summary |
This volume investigates an important and surprisingly widespread phenomenon in Latin literature, which has to date received little sustained discussion: the deliberate assumption of a weaker voice by speakers who in fact hold sufficient status not to be forced into this position. Though often associated with the markers of imperial hegemony and elite speech, Latin literature evinces a remarkably broad range of strategies designed to enable the adoption of a markedly disempowered voice. The series of case studies collected together in Complex Inferiorities cover a wide range of genres, periods, and authors: from topoi such as recusatio (professing a lack of ability to write in status-conforming, superior genres) and rhetorical devices such as prosopopoeia (artfully and strategically adopting a persona to garner favour, even when this means temporarily forfeiting one's higher status and discursive privileges), to the long-silenced female heroines of Ovid's Heroides and satire's irreverent take on the great and the good by framing its narratives as being articulated 'from below'. Even large-scale cultural self-positionings fall within this scope, be they expressions of Roman cultural inferiority vis-à-vis classical Greece or the tensions that arise between humble (yet spiritually superior) Christian writers and their grand, canonical, and classical (yet pagan) predecessors. In demonstrating that re-negotiating alleged weakness constitutes a central activity in Latin literature, this volume reveals the extent of the literary and cultural-political possibilities opened up by assuming and speaking in voices of weakness and inferiority. Authored by experts in their fields, the individual chapters explore the crucial role of the 'weaker voice' in establishing, perpetuating, and challenging hierarchies and values in a wide range of contexts - from poetics and choices of genre, to social status and intra- and intercultural relations - and offer invaluable insights not only for the study of classics, but for literary and cultural studies across the humanities |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from PDF title page (EBSCO, viewed November 2, 2018) |
| Subject |
Latin literature -- History and criticism
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Latin poetry -- History and criticism
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Classical literature.
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Literature and society.
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LITERARY CRITICISM -- Ancient & Classical.
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Classical literature
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Latin literature
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Latin poetry
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Literature and society
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| Author |
Matzner, Sebastian, editor.
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Harrison, S. J., editor.
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| ISBN |
9780191851711 |
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019185171X |
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9780192543783 |
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0192543784 |
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