| Description |
1 online resource |
| Contents |
Cover -- Title Page -- Copyright Page -- Foreword -- Contents -- Prologue -- Notes on Language, Names, Terminology, and Abbreviations -- Acknowledgments -- Introduction -- Part I: Colonial Microphones -- One: Hugh Tracey Records the Sound of Africa -- Two: Listening behind Field Recordings -- Part II: Local Voices -- Three: Donkey Cart Curation, Xhosa Anthems, and Township Terms -- Four: Art and Community Activism around the Archive -- Five: The Black Power Station -- Conclusion: Curating Sound Stories -- Epilogue 1: Sikhona siphila phakathi kwenu -- Epilogue 2: Conversations around Hip Hop |
|
Epilogue 3: Umntu ngumntu ngabantu -- Appendix 1: Listening Sessions and Personal Interviews (2008-2019) -- Appendix 2: Song Translations -- Notes -- Bibliography -- Index -- Back Cover |
| Summary |
"Ethnographic study of the creative decolonization of the International Library of African Music in South Africa, the world's largest archive of field recordings of African music"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on online resource; title from digital title page (viewed on May 02, 2022) |
| Subject |
Tracey, Hugh.
|
| SUBJECT |
Tracey, Hugh
|
|
Tracey, Hugh fast |
| Subject |
International Library of African Music.
|
| SUBJECT |
International Library of African Music fast |
| Subject |
Ethnomusicology -- Africa -- Archival resources
|
|
Music -- Repatriation -- South Africa
|
|
Sound recordings in ethnomusicology -- Africa
|
|
Music -- Repatriation
|
|
Sound recordings in ethnomusicology
|
|
Africa
|
|
South Africa
|
| Form |
Electronic book
|
| LC no. |
2021055870 |
| ISBN |
9780819580788 |
|
0819580783 |
|
