| Description |
1 online resource (485 pages) |
| Series |
Routledge Companions |
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Routledge companions.
|
| Contents |
Cover; Title; Copyright; CONTENTS; List of Figures and Tables; Notes on Contributors; Acknowledgements; Introduction: What Is Embodied Music Interaction?; PART 1 Dynamical Music Interaction Theories and Concepts; 1 The Interactive Dialectics of Musical Meaning Formation; 2 Metrically Structured Time and Entrainment; 3 Participatory Sense-Making in Joint Musical Practice; 4 Playing with the Beat: A Process-Oriented Approach to Studying Sensorimotor Synchronization in Early Childhood; 5 The Merging of Musician and Musical Instrument: Incorporation, Presence, and Levels of Embodiment |
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6 Music Knowledge Construction: Enactive, Ecological, and Biosemiotic ClaimsPART 2 Expressive Gestural Interaction; 7 Cognitive and Sensorimotor Resources for the Encoding of Expressiveness During Music Playing; 8 Beyond Emotion: Multi-Sensory Responses to Musical Expression; 9 Conveying Expressivity and Individuality in Keyboard Performance; 10 The Resilience Approach to Studying Group Interaction in Music Ensemble; 11 Agency in Embodied Music Interaction; 12 Postures and Motion Shaping Musical Experience; 13 The Communication of Emotions in Dance; PART 3 Social Music Interaction |
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14 Group Flow15 Entrainment and Mutual Adaptation in Musical Movement and Dance; 16 Embodied Expression Through Entrainment and Co-Representation in Musical Ensemble Performance; 17 Music Performance as Joint Action; 18 Do Jazz Improvisers Really Interact? The Score Effect in Collective Jazz Improvisation; 19 Gestural Interactions in Ensemble Performance; 20 Interpersonal Coordination in Dyadic Performance; 21 Embodied Social Synchronization in Children's Musical Development; PART 4 Sociological and Anthropological Approaches |
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22 Embodied Interaction with "Sonic Agents": An Anthropological Perspective23 The Ethnography of Embodied Music Interaction; 24 Combat-Dancing, Cultural Transmission, and Choreomusicology: The Globalization of Embodied Repertoires of Sound and Movement; 25 The Hiplife Zone: Cultural Transformation Processes in African Music Seen from the Angle of Embodied Music Interactions; 26 Crafting the Playing Body as an Infrastructure of "Immediate" and "Mediate" Embodied Music Cognition in an Academic Jazz Program; 27 Brain-to-Brain Coupling and Culture as Prerequisites for Musical Interaction |
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PART 5 Empowering Health and Well-Being28 Coupling Music and Motion: From Special Education to Rehabilitation; 29 Embodied Music Listening; 30 Jymmin-The Medical Potential of Musical Euphoria; 31 Music in the Exercise and Sport Domain: Conceptual Approaches and Underlying Mechanisms; 32 Monitoring Music and Movement Interaction in People with Dementia; 33 Synchronization to Music as a Tool for Enhancing Non-Verbal Communication in People with Neurological Diseases; 34 Modifying Movement Optimization Processes with Music; PART 6 Modeling Music Interaction; 35 Modeling Music Interaction |
| Notes |
36 Analyzing Complex Datasets Based on the Variability Framework, Distribution Analysis, and Generalized Linear Modeling |
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Print version record |
| Subject |
Music -- Performance -- Psychological aspects
|
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Music -- Psychological aspects.
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Music -- Performance -- Psychological aspects
|
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Music -- Psychological aspects
|
| Form |
Electronic book
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| Author |
Maes, Pieter-Jan
|
|
Leman, Marc
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| ISBN |
9781317219729 |
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1317219724 |
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