| Description |
1 online resource (viii, 170 pages) : illustrations (black and white) |
| Series |
The Oxford music/media series |
|
Oxford music/media series.
|
| Contents |
Introduction -- "The most beautiful area" : soundtrack's liminal spaces -- Scoring with sound, the aesthetics of reticence, and films and Peter Strickland -- Musicalized sound design and the erotics of cinema ; The musicalization of speech and the breakdown of the film soundtrack hierarchy -- Concluding thoughts |
| Summary |
'Sound Design Is the New Score' explores film soundtrack practice that blurs the boundary between scoring and sound design, subverting long-established hierarchical relationships between dialogue, music, and sound effects |
| Bibliography |
Includes bibliographical references and index |
| Audience |
Specialized |
| Notes |
Description based on online resource; title from web page (Oxford Scholarship Online, viewed on May 18, 2020) |
| Subject |
Motion picture music -- History and criticism
|
|
Film soundtracks -- History and criticism
|
|
Film soundtracks
|
|
Motion picture music
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
9780190855352 (ebook) |
|
0190855355 (ebook) |
|
9780190855338 |
|
0190855339 |
|
9780190855345 |
|
0190855347 |
|
