The family album and history. Interrupted family album : Juan Goytisolo's Coto vedado and Eduardo Mendicutti's Una mala noche, la tiene cualquiera -- The family album and gender : transgenerational succession of historical consciousness in Carlos Saura's Cría cuervos and Julio Llamazares's Escenas de cine mudo -- The family album and the nationalist narrative : recuperating temporal contingency in Antonio Muñoz Molina's El jinete polaco. The family album and the peripheral. Family photographs and reading the family romance differently : Montxo Armendáriz's Secretos del corazón -- A lesbian family album : family album as a portable home and "homelessness" in Marta Balletbò-Coll's Costa Brava (family album). Institutionalization of the family album. The family album and technological development : exhibiting the family album in a museum : Pedro López Canas and Martín Llorens's Déjame que te cuente (Cien ãnos de album familiar). Family frames and immigration. The family album and the promotion of multiculturalism : Icíar Bollain's Flores de otro mundo and Rick Davila's portraits of migrant workers in El ejido -- A press photograph in a family album : bearing witness to the death of an African immigrant in Nieves García Benito's "Cailcedrat" -- Ethics of the family album : maternal touch in Pilar Rodiles's Bidun (undocumented)
Bibliography
Includes bibliographical references (pages 252-260) and index
Filmography: page 261
Notes
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL
