Description |
xxiii, 566 pages : illustrations ; 24 cm |
Series |
The Norton introduction to music history |
|
Norton introduction to music history.
|
Contents |
Historical introduction (to A.D. 1000) -- Christian liturgy to A.D. 1000 -- Gregorian chant: general characteristics -- The music of the offices -- The Roman mass -- Expansion of the liturgy in the later middle age: tropes and sequences -- Further expansion and embellishment of the liturgy -- The rise of polyphony -- The School of Notre Dame, I: organum -- The School of Notre Dame, II: conductus and motet -- Secular monophonic song, I: Latin and Provencal lyrics -- Secular monophonic song, II: the music of the Trouveres -- Secular monophonic song, III: diffusion of vernacular song in other countries of western Europe -- Sacred and secular polyphony in the thirteenth century -- The ars nova in France -- Liturgical polyphony in the fourteenth century -- Guillaume de Machaut -- The Italian ars nova -- Transition to the renaissance -- An English epilogue -- Appendices |
Analysis |
Music 500-1400 History and criticism |
|
Music - 500-1400 - History and criticism |
Bibliography |
Includes bibliographical references (pages 531-551) and index |
Subject |
Arts, Medieval.
|
|
Music -- 500-1400 -- History and criticism.
|
|
Music -- 500-1400.
|
LC no. |
78007010 |
ISBN |
0393090906 |
|
9780393090901 |
|