| Description |
1 online resource (691 p.) |
| Contents |
Cover -- Half Title -- Endorsements -- Title Page -- Copyright Page -- Table of Contents -- List of Plates -- Acknowledgments -- Editors' Introduction -- PART 1: Portugal -- Pedro Lapa and Sofia Nunes, "A Difficult Gap: The Reception of American Art in Portugal 1945-1990" -- 1.1 José-Augusto França, "The 32nd Venice Biennale" (1964), trans. Ruth Rosengarten -- 1.2 Fernando Pernes, "Ten Years of Painting and Sculpture at the Tate Gallery" (1964), trans. Ruth Rosengarten -- 1.3 Rui Mário Gonçalves, "Painting and Sculpture of a Decade: 1954-1964" (1964), trans. Ruth Rosengarten |
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1.4 José-Augusto França, "Mythologic Presentation: The New Imagery" (1967), trans. Ruth Rosengarten -- 1.5 José Augusto França, "Problems of Artistic Consumption: From the Centers of Artistic Production" (1967), trans. Ruth Rosengarten -- 1.6 Edígio Álvaro, "Letter from Kassel: Hyperrealism at Documenta 5" (1973), trans. Ruth Rosengarten -- 1.7 Ernesto de Sousa, "The One Hundred Days of Documenta 5" (1973), trans. Ruth Rosengarten -- 1.8 Sílvia Chicó, "The Last Twenty Years" (1983), trans. Ruth Rosengarten |
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1.9 Alexandre Melo, "Madrid: Where New York Meets Old Europe" (1987), trans. Ruth Rosengarten -- 1.10 Alexandre Melo, "Signs from America" (1989), trans. Ruth Rosengarten -- PART 2: Spain -- Claudia Hopkins, "Bienvenido! Welcoming American Art in Spain 1950s-1963" -- Javier Ortiz-Echagüe, "'A Truly Extraordinary Experience of an Unknown World': From American Pop Art to Neo-Expressionism in Spain 1963-1989" -- 2.1 Ricardo Gullón, "The New Phase" (1956), trans. Paul David Martin -- 2.2 Mercedes Molleda, "New American Painting" (1958), trans. Cleo Clauson |
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2.3 Luis Trabazo, "New American Painting" (1958), trans. Antonio Romero Limón -- 2.4 Antonio Saura, "Notes on Pollock" (1958), trans. Isabel Adey -- 2.5 Vicente Aguilera Cerni, "Willem de Kooning" (1959), trans. Cleo Clauson -- 2.6 Xavier Rubert de Ventós, "Abstraction and Pop Art" (1965), trans. Antonio Romero Limón -- 2.7 Simón Marchán Fiz, "Documenta 4, Kassel" (1968), trans. Isabel Adey -- 2.8 Simón Marchán Fiz, "Minimal Art or Primary Structures" (1972), trans. Isabel Adey |
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2.9 Juan Manuel Bonet, Antoni Tàpies, and Grupo de Treball, "Controversy Tàpies/Spanish Conceptual Group," (1973), trans. Isabel Adey -- 2.10 Enrique García-Herráiz, "New York Chronicle" (1982), trans. Antonio Romero Limón -- 2.11 José Luis Brea, "Non-specific Objects" (1991), trans. Antonio Romero Limón -- PART 3: Italy -- Silvia Bottinelli, "Pragmatic, Pioneering and Excessive: The Reception of American Art in Italy" -- 3.1 Bruno Alfieri, "The United States at the 24th Biennale" (1948), trans. Laura Bennett -- 3.2 Enrico Crispolti, "Franz Kline" (1957), trans. Lucinda Byatt |
| Notes |
Description based upon print version of record |
| Form |
Electronic book
|
| Author |
Whyte, Iain Boyd
|
| ISBN |
9781000061659 |
|
1000061655 |
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