| Description |
1 online resource |
| Series |
Image ; volume 89 |
|
Image (Transcript (Firm)) ; v. 89.
|
| Contents |
Machine generated contents note: Epistemological Frameworks -- Spectres of 1989: On some Misconceptions of the ̀Globality' in and of Contemporary Art / Jacob Birken -- Scrim, the Pistol, and the Lectern: Dis-Situating the Global Contemporary / Andrew Stefan Weiner -- Aesthetics of Irony as a Form of Resistance: Zhang Peili in "Harmonious Society," / Voon Pow Bartlett -- "A Collage of Globalization" in Documentall's Exhibition Catalogue / Antigoni Memou -- Institutional Politics -- Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects / Birgit Mersmann -- Gulf Labor: The Boycott as Political Activism and Institutional Critique / Janna-Mirl Redmann -- You Can't Always Curate Your Way Out! Reflections on the Ghetto Biennale / Leah Gordon -- Generation 00: The Artist as Citizen / Abdellah Karroum -- Museological Narratives -- How Far How Near: A Global Assemblage in the Modern Art Museum / Jelle Bouwhuis -- Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating / Annette Bhagwati -- Curating as Transcultural Practice, documenta 12 and the "Migration of Form" / Barbara Lutz -- Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization / Sarah Dornhof -- Practices of Self-Cultivation -- Art of Globalization/The Globalization of Art: Creating Transnational, In-terethnic and Cross-Gender Identities in the 3D Work of Miao Xiaochun / Isabel Seliger -- Transculturally Entangled -Qiu Zhijie's Concept of Total Art / Birgit Hopfener -- Globalization as an Artistic Strategy: The Case of Takashi Murakami / Ronit Milano -- Blind Spot of Global Art? Hans Ulrich Obrist's Ways of Curating / Nanne Buurman |
| Summary |
In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception |
| Notes |
In English |
|
Online resource; title from digital title page (viewed on March 29, 2019) |
| Subject |
Art and globalization -- Congresses
|
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Art and society -- Congresses
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ART -- General.
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ART / Criticism & Theory
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Art and globalization
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Art and society
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| Genre/Form |
Conference papers and proceedings
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| Form |
Electronic book
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| Author |
Dornhof, Sarah, editor
|
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Buurman, Nanne, editor
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Hopfener, Birgit, editor
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Lutz, Barbara, editor
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Freie Universität Berlin, host institution.
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| ISBN |
3839433975 |
|
9783839433973 |
|
