Description |
xiii, 326 pages : illustrations ; 24 cm |
Contents |
Includes "Select Filmography and Videography" (p. 295-302) |
Summary |
Joan Hawkins offers an original and provocative discussion of taste, trash aesthetics, and avant-garde culture of the 1960s and 1970s to reveal the subversiveness of the horror film as a genre. Full of unexpected insights, Cutting Edge calls for a rethinking of high/low distinctions--and a reassigning of labels at the video store |
Analysis |
AVANT-GARDE FILMS |
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FRANCO, JESUS [JESS] |
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FRANJU, GEORGES |
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FREAKS (US, Tod Browning, 1932) |
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HORROR FILMS |
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MORRISSEY, PAUL |
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RAPE (US, Yoko Ono & John Lennon, 1968) |
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WARHOL, ANDY |
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YEUX SANS VISAGE, LES (FR/IT, Georges Franju, 1959) |
Notes |
"Select Filmography and Videography": p |
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Includes bibliographical references (p. ) and index |
Bibliography |
Includes bibliographical references (pages 279-294) and index |
Notes |
English |
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Print version record |
Subject |
Experimental films -- Europe -- History and criticism.
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Horror films -- History and criticism.
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LC no. |
99051008 |
ISBN |
0816634130 (alk. paper) |
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0816634149 (paperback: alk. paper) |
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