| Description |
1 online resource (529 pages) |
| Contents |
Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Preface and Acknowledgments; Caroline A. Jones and Peter Galison Introduction; Styles; Carlo Ginzburg Style as Inclusion, Style as Exclusion; Irene J. Winter The Affective Properties of Styles: An Inquiry into Analytical Process and the Inscription of Meaning in Art History; Amy Slaton Style/Type/Standard: The Production of Technological Resemblance; The Body; Arnold Davidson Miracles of Bodily Transformation, or, How St. Francis Received the Stigmata |
|
Londa Schiebinger Lost Knowledge, Bodies of Ignorance, and the Poverty of Taxonomy as Illustrated by the Curious Fate of Flos Pavonis, an AbortifacientCaroline A. Jones The Sex of the Machine: Mechanomorphic Art, New Women, and Francis Picabia's Neurasthenic Cure; Donna Haraway Deanimations: Maps and Portraits of Life Itself; Seeing Wonders; Krzysztof Pomian Vision and Cognition; Lorraine Daston Nature by Design; Katharine Park Impressed Images: Reproducing Wonders; David Freedberg Iconography between the History of Art and the History of Science: Art, Science, and the Case of the Urban Bee |
|
Joseph Leo Koerner Hieronymus Bosch's World PictureObjectivity/Subjectivity; Peter Galison Judgment against Objectivity; Jan Goldstein Eclectic Subjectivity and the Impossibility of Female Beauty; Joel Snyder Visualization and Visibility; Cultures of Vision; Svetlana Alpers The Studio, the Laboratory, and the Vexations of Art; Bruno Latour How to Be Iconophilic in Art, Science, and Religion?; Simon Schaffer On Astronomical Drawing; Jonathan Crary Attention and Modernity in the Nineteenth Century; Contributor; Index |
| Summary |
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company |
| Notes |
Print version record |
| Form |
Electronic book
|
| Author |
Jones, Caroline A
|
| ISBN |
9781135207502 |
|
113520750X |
|
