| Description |
363 pages |
| Series |
Cinema ; 2 |
|
Bloomsbury revelations |
|
Bloomsbury revelations.
|
| Contents |
Preface to the English Edition; Translators' Introduction; Chapter 1 Beyond the movement-image; Chapter 2 Recapitulation of images and signs; Chapter 3 From recollection to dreams: third commentary on Bergson; Chapter 4 The crystals of time; Chapter 5 Peaks of present and sheets of past: fourth commentary on Bergson; Chapter 6 The powers of the false; Chapter 7 Thought and cinema; Chapter 8 Cinema, body and brain, thought; Chapter 9 The components of the image; Chapter 10 Conclusions; Notes; Glossary; Index |
| Summary |
Brings to completion Deleuze's work on the implications of the cinematographic image. In Cinema 2, Deleuze explains why, since World War II, time has come to dominate film. Among the filmmakers discussed are Rossellini, Fellini, Godard, Resnais, Pasolini, and many others |
| Notes |
Mode of access: World Wide Web |
| Subject |
Motion pictures -- Philosophy
|
|
Motion pictures -- Philosophy.
|
| Form |
Electronic book
|
| Author |
Tomlinson, Hugh
|
|
Galeta, Robert
|
|
Ebooks Corporation.
|
| ISBN |
9780816682836 |
|
0816682836 |
|
