| Description |
1 online resource : text file, PDF |
| Series |
Digital research in the arts and humanities |
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Digital research in the arts and humanities.
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| Contents |
Half Title -- Series Information -- Title Page -- Copyright Page -- Table of contents -- Illustrations -- Foreword -- Acknowledgements -- Introduction -- Notes -- 1 The 1960s: From figurative art to colour abstraction -- Introduction -- â#x80;#x9C;Art or mathematics?â#x80;#x9D; -- From figurative art to black and white abstraction (1960â#x80;#x93;1962) -- From black and white to colour abstraction (1962â#x80;#x93;1966) -- Consolidating a Constructivist approach: Nineteen (1967â#x80;#x93;1969) -- Notes -- 2 The 1970s: Logic, computers and communication -- Introduction |
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The Systems GroupArt, technology and participation in the United Kingdom -- Malcolm Hughes -- Edward Ihnatowicz -- Roy Ascott -- Stephen Willats -- Ernest Edmondsâ#x80;#x99; early interactive art -- 1970: Computer Graphics â#x80;#x99;70 â#x80;#x93; *Datapack and Jigsaw -- 1971: Invention of Problems II â#x80;#x93; Communications Game -- 1972: Cognition and Control â#x80;#x93; Communications Game 2 -- 1974â#x80;#x93;1978: Systems approaches in Edmondsâ#x80;#x99; paintings and drawings -- Notes -- 3 The 1980s: Constructivism and Systems -- Introduction -- Personal networks and connections |
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Ernest Edmondsâ#x80;#x99; themesStructure -- Time -- Colour -- Exhibiting Space, Duality and Co-existence (1985) -- Null-Dimension (1988) -- Constructivism: Man versus Environment (1989) -- Notes -- 4 The 1990s: Correspondences and intersections -- Introduction -- A busy 1990 -- A key collaboration: Correspondences -- Residencies and exhibitions in the 1990s -- Notes -- 5 Interactive Generative art: 2000â#x80;#x93;2015 -- Introduction -- 2000â#x80;#x93;2005 -- Expanding and evolving Video Constructs (2000â#x80;#x93;2003) |
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Audio-visual artworks: Ernest Edmonds with Mark Fell (2003â#x80;#x93;2004)New interactive Generative works (2004â#x80;#x93;2005) -- 2005â#x80;#x93;2010 -- Tango Tangle (2006) -- Shaping Form (from 2007) -- Cities Tango: Between Belfast and Sydney (2009) -- 2010â#x80;#x93;2015 -- Automatic Art, London 2014 -- Primary Codes, Rio de Janeiro 2015 -- Notes -- 6 Structure and systems -- Introduction -- Structure and interaction -- Fifty Two (1980) -- Four Shaped Forms (2014) -- Notes -- 7 New media, new technologies and new systems -- Introduction -- Technical innovations |
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Iterative software design methodsAdaptable user interfaces -- User interface architectures -- Creativity support tools -- Art and technology crossovers -- Creativity and cognition -- Living laboratories for interactive art -- Logic, Constructive Mathematics and Generative art -- Logic Programming for time-based Generative art -- Notes -- Bibliography -- Endorsements |
| Summary |
"In this unique book the author explores the history of pioneering computer art and its contribution to art history by way of examining Ernest Edmonds' art from the late 1960s to the present day. Edmonds' inventions of new concepts, tools and forms of art, along with his close involvement with the communities of computer artists, constructive artists and computer technologists, provides the context for discussion of the origins and implications of the relationship between art and technology. Drawing on interviews with Edmonds and primary research in archives of his work, the book offers a new contribution to the history of the development of digital art and places Edmonds' work in the context of contemporary art history."--Provided by publisher |
| Bibliography |
Includes bibliographical references (pages 145-148) and index |
| Subject |
Edmonds, Ernest A., 1942- -- Criticism and interpretation
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| SUBJECT |
Edmonds, Ernest A., 1942- fast |
| Subject |
Computer art.
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ART -- Digital.
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Computer art
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| Genre/Form |
Electronic books
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Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9781315581637 |
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1315581639 |
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9781317137443 |
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1317137442 |
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9781317137429 |
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1317137426 |
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9781472436009 |
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1472436008 |
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