| Description |
1 online resource |
| Series |
Music and the early modern imagination |
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Music and the early modern imagination.
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| Contents |
Cover; Contents; Acknowledgments; Note on Transcription; List of Abbreviations and Library Sigla; Introduction: Rethinking Boundaries in Musical Practice and Circulation; 1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister; 2. English Jesuit Missionaries, Music Education, and the Musical Participation of Women in Devotional Life in Recusant Households from ca. 1580 to ca. 1630; 3. The Transmission of Lute Music and the Culture of Aurality in Early Modern England; 4. Thomas Campion's "Superfluous Blossomes of His Deeper Studies": The Public Realm of His English Ayres |
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5. Oyez! Fresh Thoughts about the "Cries of London" Repertory6. "Locks, Bolts, Barres, and Barricados": Song Performance, Gender, and Spatial Production in Richard Brome's The Northern Lass; 7. "Lasting-Pasted Monuments": Memory, Music, Theater, and the Seventeenth-Century English Broadside Ballad; 8. The Challenge of Domesticity in Men's Manuscripts in Restoration England; 9. A Midcentury Musical Friendship: Silas Taylor and Matthew Locke; 10. Music and Merchants in Restoration London; 11. Daniel Henstridge and the Aural Transmission of Music in Restoration England |
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12. Courtly Connections: Queen Anne, Music, and the Public Stage13. Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain; 14. From London's Opera House to the Salon? The Favourite (and Not So "Favourite") Songs from the King's Theatre; 15. Education, Entertainment, Embellishment: Music Publication in the Lady's Magazine; Selected Bibliography; List of Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z |
| Summary |
English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from PDF title page (EBSCO, viewed February 27, 2017) |
| Subject |
Music -- England -- 16th century -- History and criticism
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Music -- England -- 17th century -- History and criticism
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Music -- England -- 18th century -- History and criticism
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MUSIC -- Genres & Styles -- Classical.
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MUSIC -- Reference.
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MUSIC -- Genres & Styles -- General.
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Music
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Musique Angleterre -- Histoire et critique.
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England
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| Author |
Austern, Linda Phyllis, 1957- editor.
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Bailey, Candace, 1963- editor.
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Eubanks Winkler, Amanda, editor
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| ISBN |
9780253024978 |
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0253024978 |
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