| Description |
1 online resource (109 p.) |
| Contents |
Cover Page -- Half Title Page -- Title Page -- Copyright Page -- Contents Page -- List of illustrations Page -- Participants Page -- Acknowledgements Page -- 1 Introduction -- Aims and focus -- Scope -- Defining recording studio production -- Defining the three 'waves' of recording studio production -- Defining coproduction -- Defining the vocal booth -- About the author -- Method -- References -- 2 Stepping into the sociocultural space -- First impressions -- Reading the room -- Power dynamics -- Emotional labour -- Summary -- References -- 3 Stepping into the creative space -- Songwriting |
|
Artistic property -- Co-option -- Crossing the line -- What do you need me to do? -- Summary -- References -- 4 Stepping into the sociotechnical space -- Audio engineers -- Headphone mix -- Summary -- References -- 5 Stepping into the remote recording space -- What has been gained? -- Continuity -- Creativity -- Convenience -- What has been lost? -- Interaction -- Networking -- Immediacy -- Quality and authenticity -- A different gig -- Documenting (more) extra services -- Summary -- Reference -- 6 What does this mean? -- Acknowledgement -- Negotiation -- The future -- Conclusion |
|
Appendix 1: Case study 1: empathy -- Appendix 2: Case study 2: co-option -- Appendix 3: Case study 3: compromised music -- Index |
| Notes |
Description based upon print version of record |
| Subject |
Sound -- Recording and reproducing -- Social aspects
|
| Form |
Electronic book
|
| ISBN |
9781000517002 |
|
1000517004 |
|
