| Description |
1 online resource (xxxi, 189 pages) |
| Series |
Cine-aesthetics: new directions in film and philosophy |
| Contents |
Introduction: The Grammar of Cinepoiesis. How does a Poetic Camera Work? -- Meter and Rhetoric: Leopardi's poetics in Federico Fellini's La voce della luna -- Im-Signs and Free Indirect Subjective: Pier Paolo Pasolini's Cinema of Poetry: Accattone and Mamma Roma -- Color and Focus: Michelangelo Antonioni's Il deserto rosso and Blow-Up -- Sound and Silence: Franco Piavoli's Il pianeta azzurro and Nostos -- Movement and Form: Matteo Garrone's Primo amore and Gomorra -- Epilogue: The Visual Power of Images |
| Summary |
A unique contribution to the fields of film studies and critical and cinematic theory, A Grammar of Cinepoiesis explores the theoretical and practical modes of a cinema of poetry and examines how it breaks the convention of narrative in cinema. Carlorosi demonstrates how cinema of poetry is able to open a dialogue between author, text, and viewers, while cinematic authors, like poietes (poets), bring to life multiple possible worlds |
| Bibliography |
Includes bibliographical references (pages 175-180) and index |
| Notes |
Print version record and CIP data provided by publisher; resource not viewed |
| Subject |
Motion pictures -- Italy -- History
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Motion picture producers and directors -- Italy -- Interviews
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Motion pictures -- Philosophy
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PERFORMING ARTS -- Reference.
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Motion picture producers and directors
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Motion pictures
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Motion pictures -- Philosophy
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Italy
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| Genre/Form |
History
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Interviews
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| Form |
Electronic book
|
| LC no. |
2020739493 |
| ISBN |
9781498509855 |
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1498509851 |
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