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1 online resource |
| Contents |
<UL><UL><LI>Acknowledgements</LI><P><LI>Fade In: Introduction</LI><P></P></UL></UL><P></P><OL><P><LI>PART ONE: On Dialogue </LI><P></P></OL><P></P><UL><UL><P><LI>Chapter One: <I>Understanding Dialogue</LI><P></P></UL></UL></I><P></P><OL><OL><P><LI>Intro: <I>Understanding Dialogue</LI><P></P></I><P><LI>Function & Purpose</LI><P></P><P><LI>Defining Better Dialogue</LI><P></P><P><LI>Tone </LI><P></P><P><LI>Text & Subtext </LI><P></P><P><LI>Voice </LI><P></P><P><LI>Conflict, </LI><P></P><P><LI>Exposition, </LI><P></P><P><LI>Style </LI><P></P></OL></OL><P></P><UL><UL><P><LI>Chapter Two: <I>Illuminating Character Through Dialogue </LI><P></P></UL></UL></I><P></P><OL><OL><P><LI>Introduction: <I>Understanding Character</I> </LI><P></P><P><LI>Character Arc</LI><P></P><P><LI>Outer and Inner Goals</LI><P></P><P><LI>Wants, needs, drives, passions</LI><P></P><P><LI>Externalizing the Internal</LI><P></P><P><LI>Putting It All Together </LI><P></P></OL></OL><P></P><UL><UL><P><LI>Chapter Three: <I>Types of Dialogue</I> </LI><P></P></UL></UL><P></P><OL><OL><OL><P><LI>Introduction: <I>Types of Dialogue</LI><P></P></I><P><LI>Basic Dialogue</LI><P></P><P><LI>Repartee</LI><P></P><P><LI>Monologues </LI><P></P><P><LI>Asides & Soliloquies</LI><P></P><P><LI>Heightened & Stylised Dialogue</LI><P></P><P><LI>Realistic/Naturalistic Dialogue</LI><P></P></OL></OL></OL><UL><UL><P><LI>Chapter Four: <I>Voice-Overs & Narrations</I> </LI><P></P></UL></UL><P></P><OL><OL><P><LI>Introduction: Voice-Overs and Narrations</LI><P></P><P><LI>So, what is it?</LI><P></P><P><LI>Structure Markers</LI><P></P><P><LI>Asides & Soliloquies</LI><P></P><P><LI>Emotionality</LI><P></P><P><LI>Literary Dimension</LI><P></P><P><LI>The Three Basic Types of Voice-Over:</LI><P></P><OL><P><LI>The Voice of God V.O.</LI><P></P><P><LI>Looking Back V.O.</LI><P></P><P><LI>Part of the Narrative V.O.</LI><P></P></OL><P><LI>When is it appropriate to use voice-overs?</LI><P></P></OL></OL><P></P><UL><UL><P><LI>Chapter Five: <I>Platforms</I> </LI><P></P></UL></UL><OL><OL><P><LI>Introduction: Platforms</LI><P></P><P><LI>Theater </LI><P></P><P><LI>Film</LI><P></P><P><LI>TV</LI><P></P><P><LI>Prose Fiction</LI><P></P><P><LI>Film Dialogue vs. TV Dialogue</LI><P></P></OL></OL><P></P><OL><P><LI>PART TWO: Tool Kits for Improving Your Dialogue</LI><P></P></OL><P></P><UL><UL><P><LI>Chapter Six: <I>Tool Kit</I> -- <I>Writing Dialogue</LI><P></P></UL></UL><P></P><OL><OL></I><P><LI>Introduction: <I>Writing Dialogue</LI><P></P></I><P><LI>Starting -- What do you do?</LI><P></P><P><LI>Intention -- What do you want?</LI><P></P><P><LI>Structure, Shape and Pace</LI><P></P><P><LI>The Do's, Don'ts and Exceptions </LI><P></P></OL></OL><P></P><UL><UL><P><LI>Chapter Seven: <I>Tool Kit</I> -- <I>Specificity</I> </LI><P></P></UL></UL><P></P><OL><OL><P><LI>Introduction: <I>Specificity</I> </LI><P></P><P><LI>Nouns</LI><P></P><P><LI>Modifiers</LI><P></P><P><LI>Unique Words</LI><P></P><P><LI>Technical, Authentic Word, </LI><P></P><P><LI>Colorful Words</LI><P></P><P><LI>Colloquial Language and Vernacular </LI><P></P></OL></OL><P></P><UL><UL><P><LI>Chapter Eight: <I>Tool Kit</I> -- <I>Writing Singular Characters</I> </LI><P></P></UL></UL><P></P><OL><OL><P><LI>Introduction: <I>Writing Singular Characters</LI><P></P></I><P><LI>Finding Character</LI><P></P><P><LI>Conflict </LI><P></P><P><LI>Quirks and Unique Logic </LI><P></P><P><LI>Energy: Passion & Pop Content </LI><P></P></OL></OL><P></P><UL><UL><P><LI>Chapter Nine: <I>Tool Kit</I> -- <I>Naturalistic Dialogue, Themes & Exposition Problems</LI><P></P></UL></UL></I><P></P><OL><OL><P><LI>Introduction: <I>Naturalistic Dialogue</I>,<I> Themes & Exposition Problems</LI><P></P></I><P><LI>Naturalistic Dialogue</LI><P></P><P><LI>Theme Words</LI><P></P><P><LI>Remedying Exposition</LI><P></P></OL></OL><P></P><OL><P><LI>PART THREE: Exercises: Better Hearing & Voicing Your Characters</LI><P></P></OL><I><P></P><UL><UL></I><P><LI>Chapter Ten: <I>Accessing Character & Application</LI><P></P></UL></UL></I><P></P><OL><OL><P><LI>Introduction: <I>Accessing Character & Application</LI><P></P></I><P><LI>Character Complexity </LI><P></P><P><LI>Character Bios for Dialogue</LI><P></P><P><LI>Application: <I>What to do</LI><P></P></OL></OL><P></P><UL><UL></I><P><LI>Chapter Eleven: <I>Better Hearing</LI><P></P></UL></UL></I><P></P><OL><OL><P><LI>Introduction: <I>Better Hearing</LI><P></P><P><LI>Ear Tuning</I> </LI><P></P><P><LI>Nine Aspects of Dialogue</LI><P></P><P><LI>Eavesdropping</LI><P></P><P><LI>Collecting Dialogue</LI><P></P></OL></OL><P></P><UL><UL><P><LI>Chapter Twelve: <I>Voice Exercises</LI><P></P></UL></UL></I><P></P><OL><OL><P><LI>Introduction: <I>Voice Exercises</LI><P></P></I><P><LI>Character Channeling -- Mimicking</LI><P></P><P><LI>Character Channeling -- Other Voices</LI><P></P><P><LI>Listening to & Improving Your Own Voice </LI><P></P><P><LI>Improvisation </LI><P></P></OL></OL><P></P><UL><UL><P><LI>Fade Out: Conclusion <BR></LI><P></P><P><LI>Index</LI><P></P></UL></UL> |
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Motion picture authorship.
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Television authorship.
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Dialogue in motion pictures.
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Dialogue in television programs.
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Dialogue in motion pictures
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Dialogue in television programs
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Motion picture authorship
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Television authorship
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| Form |
Electronic book
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| ISBN |
9781000203035 |
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1000203034 |
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9781000203196 |
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1000203190 |
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9781000203110 |
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1000203115 |
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9780429289156 |
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0429289154 |
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