| Description |
1 online resource (333 p.) |
| Contents |
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- Series Foreword -- List of Contributors -- Preface: Sounds Like Action! -- PART I: Action Scored: Politics, Representation, and Identity -- 1 Favela Chic in Action: Soundtracking Urban Violence in Rio de Janeiro, Brazil -- 2 "You're Not Gonna Get Mushy on Me, Are You?": Music and the New Man in 1990s Hollywood Action Film -- 3 "I Am No Lady When I Fight!": Gender Politics in the Postwar Swashbuckler Score -- 4 Reviving the Swordplay Action Film: Nature, Technology, and the Soundtrack for Seven Samurai |
|
5 Conan the Neoliberal? The Sounds of Hypermasculine Entrepreneurship in Early Reaganite Film -- PART II: Action Scores: Evolving Musical Conventions -- 6 Underscoring Chased Heroes and Robbing Villains: Music of Immediacy in New Hollywood Action Thrillers of the late 1960s and 1970s -- 7 John Williams's Action Music in the Twenty-First Century -- 8 "There and Back Again": Music and Generic Transformation in Peter Jackson's Hobbit Films -- 9 Star Trek as Action Film: Reimagining The Original Series' Soundscape |
|
10 A Tale of Two Cinemas: Zashchitniki (Guardians, 2017) and Music for the New Russian Superhero Film -- PART III: Scoring Action: The Kinesthetic Experience and Production -- 11 "Those Who Dance": Popular Music, Audiovisual Editing, and Meaning across the Guardians of the Galaxy Franchise -- 12 Toward a Musical Understanding of Cinematic Action: Two Experiments with Embodiment and Musical Vitality in Film Experience -- 13 Sound-Induced Visual Illusion in Film -- 14 "Humming the Foley, Singing the Sound": Designing Sound with a Musical Perspective |
|
15 Music, Digital Audio, Labor: Notes on Audio and Music Production for Contemporary Action Film -- Index |
| Notes |
Description based upon print version of record |
| Form |
Electronic book
|
| Author |
Durrand, Mark
|
| ISBN |
9781351204255 |
|
1351204254 |
|
