| Description |
1 online resource (255 p.) |
| Contents |
Cover -- Half Title -- Endorsements -- Title Page -- Copyright Page -- CONTENTS -- List of Figures -- List of Contributors -- Introduction -- SECTION I: This Writing Life -- 1. Shoring Up the Fragments -- 2. When the Slave Ships Came -- SECTION II: Making a Drama Out of It -- 3. Reflections and Confessions on the Making of a Performative Autoethnography: University Performance Development Reviews and the Academic Self -- 4. Mi Amigo Giovanni: A Digital Engagement of Friendship, Community and Queer Love Through a Zoom Performance -- SECTION III: Crafting Selves |
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5. Thinking with our Hands while Becoming Autoethnographers -- 6. Putting Ourselves in the Picture: An Autoethnographic Approach to Photography Criticism -- 7. Digital Autoethnography: An Approach to Facilitate Reflective Practice in the Making and Performing of Visual Art -- 8. Stitching as Reflection and Resistance: The Use of a Stitch Journal During Doctoral Study -- 9. Making The Dreamer: Cut-ups, Decoupage and Narrative Assemblages of Interbeing and Becoming -- SECTION IV: Creating Class -- 10. Hidden Time: An Autoethnographic Narrative on the Creation of Seven Working-Class Time Pieces |
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11. Coming Back to Class: The Remaking of an Academic Self -- SECTION V: Place and Belonging -- 12. Walking as Knowing, Healing, and the (Re)making of Self -- 13. Where the River Flows Out to the Sea: A Story of Place-Making -- 14. Making Mistakes: Learning through Embarrassment when Curating Indigenous Collections in UK Museums -- Conclusion -- Index |
| Notes |
Description based upon print version of record |
| Form |
Electronic book
|
| Author |
Lumsden, Karen
|
|
Bradford, Jan
|
| ISBN |
9781000886115 |
|
1000886115 |
|
