Description |
1 online resource (541 pages) |
Series |
Brill's Studies on Art, Art History, and Intellectual History Ser |
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Brill's Studies on Art, Art History, and Intellectual History Ser
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Contents |
Intro; Contents; Acknowledgments; Illustrations; Notes on Contributors; Introduction; Essays; Chapter 1 Jan van Eyck's Arnolfini Portrait and Copies after His Woman and Her Toilette: Recollections of the Alhambra's Constellation Halls, the Hamman, and Alchemy; Chapter 2 Models and the Practice of Drawing in Eastern Spain, 1370-1450; Chapter 3 Eyckian Icons and Copies; Chapter 4 Copies after the Ghent Altarpiece for Spain: Four Case Studies; Chapter 5 Following Bosch: The Impact of Hieronymus Bosch's Diableries and Their Reproduction in the 16th Century |
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Chapter 6 Tratta da Zorzi: Giulio Campagnola's Copies after other Artists and his Use of ModelsChapter 7 Virgin and Child with the Milk Soup after Gerard David: Series of Paintings on the Same Theme after Known Models; Chapter 8 Not Just Copies but Variations, Suggestions, Interpretations and Critical Reception: Joos van Cleve and the Lost Madonna of the Cherries by Leonardo da Vinci; Chapter 9 Copies and Derivations of Giorgionesque Inventions: An Insight into the Visual and the Historical Sources; Chapter 10 Copies of Raphael's Mythological Paintings in the Collection of Cardinal Ludovisi |
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Chapter 11 From Workshop Master to the Artist's IndividualityChapter 12 Jacopo Bassano and the Prints from Raphael's Masterpieces; Chapter 13 Que se haga al modo y manera de ... : Copy and Interpretation in the Visual Arts in Aragón during the 16th Century; Chapter 14 Early Netherlandish Devotional Images, Their Copies and Their Metamorphosis in Aragonese Culture through Peripheral Areas; Chapter 15 Marketing Workshop Versions in the 17th-century Dutch Art Market; Chapter 16 Pictorial Copies in Granada during the Early Modern Age; Coda; Index of Places; Index of Names |
Notes |
Print version record |
Form |
Electronic book
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ISBN |
9789004379596 |
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9004379592 |
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