| Description |
1 online resource (271 pages) : illustrations |
| Series |
Film culture in transition |
|
Film culture in transition.
|
| Contents |
Introduction to an epistemology of viewing and listening dispositives / François Albera and Maria Tortajada -- Epistemology. The 1900 episteme / François Albera and Maria Tortajada -- Projected cinema : a hypothesis on the cinema's imagination / François Albera -- The case for an epistemography of montage : the Marey moment / François Albera -- The 'cinematographic snapshot' : rereading Etienne-Jules Marey / Maria Tortajada -- The cinematograph versus photography, or cyclists and time in the work of Alfred Jarry / Maria Tortajada -- Exhibition. Dynamic paths of thought : exhibition design, photography and circulation in the work of Herbert Bayer / Olivier Lugon -- The lecture : Le Corbusier's use of the word, drawing and projection / Olivier Lugon -- Body and voice. Dancing dolls and mechanical eyes : tracking an obsessive motive from balet to cinema / Laurent Guido -- From broadcast performance to virtual show : television's tennis dispositive / Laurent Guido -- The lecturer, the image, the machine and the audio-spectator : the voice as a component part of audiovisual dispositives / Alain Boillat -- On the singular status of the human voice : Tomorrow's eve and the cultural series of talking machines / Alain Boillat |
| Summary |
A remarkable and wide-ranging examination of some of the crucial issues in film theory, drawing on the Foucauldian concepts of the dispositif and the episteme |
| Bibliography |
Includes bibliographical references (pages 255-257) and indexes |
| Notes |
Print version record |
| Subject |
Motion pictures -- Philosophy
|
|
PERFORMING ARTS -- Reference.
|
|
Motion pictures -- Philosophy
|
| Form |
Electronic book
|
| Author |
Albera, François, 1948-
|
|
Tortajada, Maria
|
| LC no. |
2010540126 |
| ISBN |
9789048508075 |
|
904850807X |
|
