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Book Cover
Book

Title Cinema beyond film : media epistemology in the modern era / edited by François Albera and Maria Tortajada ; [translated by Lance Hewson]
Published Amsterdam : Amsterdam University Press, [2010]
©2010

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Location Call no. Vol. Availability
 MELB  791.4301 Alb/Cbf  AVAILABLE
Description 271 pages : illustrations ; 24 cm
Series Film culture in transition
Film culture in transition.
Contents Introduction to an epistemology of viewing and listening dispositives ; The 1900 episteme / François Albera and Maria Tortajada -- Projected cinema : a hypothesis on the cinema's imagination ; The case for an epistemography of montage : the Marey moment / François Albera -- The 'cinematographic snapshot' : rereading Etienne-Jules Marey ; The cinematograph versus photography, or cyclists and time in the work of Alfred Jarry / Maria Tortajada -- Dynamic paths of thought : exhibition design, photography and circulation in the work of Herbert Bayer ; The lecture : Le Corbusier's use of the word, drawing and projection / Olivier Lugon -- Dancing dolls and mechanical eyes : tracking an obsessive motive from balet to cinema / Laurent Guido -- From broadcast performance to virtual show : television's tennis dispositive / Laurent Guido -- The lecturer, the image, the machine and the audio-spectator : the voice as a component part of audiovisual dispositives / Alain Boillat -- On the singular status of the human voice : Tomorrow's eve and the cultural series of talking machines / Alain Boillat
Summary Cinema Beyond Film: Media Epistemology in the Modern Era deals with three seminal issues in film theory, notably the relationship of image and sound, early manifestations of the moving image, and new connections between the voice and the use of the body in contemporary cinema. The contributors discuss û among others û the period at the end of the nineteenth century, with the exploration of medical discourses linked to the appearance of the cinema; the archaeological approach to voyeurism, which would become one of the recurrent concepts of cinematographic studies; the introduction of audiovisual technologies in contemporary theatre and the ways in which they have affected the actor's body. --
Francois Albera is professor of film and cinema studies at UniversitT de Lausanne in Switzerland. Maria Tortajada is professor in the Department of History and Aesthetics of Film at the same university. --Book Jacket
Analysis film teorija filma filozofija filma epistemologija dispozitiv teorija dispozitiva zborniki
Bibliography Includes bibliographical references and indexes
Notes Print version record
Subject Motion pictures -- Philosophy.
Author Albéra, François, 1948-
Tortajada, Maria.
LC no. 2010540126
ISBN 9789089640833
9789089640840