Title Philosophy of modern music / Theodor W. Adorno ; translated by Anne G. Mitchell and Wesley V. Blomster

Published London : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2016 ©2007

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Description 1 online resource Series Bloomsbury revelations series Bloomsbury revelations. Contents Intro -- Title Page -- Copyright Page -- Contents -- Translators' Introduction -- Preface -- Introduction -- Choice of subject matter -- New conformism -- False musical consciousness -- 'Intellectualism' -- Modern music unprotected -- The antinomy of modern music -- Growing indifferentism -- On method -- Schoenberg and Progress -- Disturbance of the work -- Inherent tendency of musical material -- Schoenberg's criticism of illusion and play -- Dialectics of loneliness -- Loneliness as style -- Expressionism as objectivity -- Total organization of the elements of music -- Total development The concept of twelve-tone technique -- Musical domination of nature -- Loss of freedom -- Twelve-tone melos and rhythm -- Differentiation and coarsening -- Harmony -- Instrumental timbre -- Twelve-tone counterpoint -- Function of counterpoint -- Form -- The composers -- Avant-garde and theory -- The renunciation of material -- Cognitive character -- Attitude towards society -- Stravinsky and Restoration -- Authenticity -- Sacrifice and the absence of intention -- The hand organ as a primeval phenomenon -- Sacre and African sculpture -- Technical elements in Sacre -- 'Rhythm' Identification with the collective -- Archaism, modernism, infantilism -- Permanent regression and musical form -- The psychotic aspect -- Ritual -- Alienation as objectivity -- Fetishism of the means -- Depersonalization -- Hebephrenia -- Catatonia -- Music about music -- Denaturation and simplification -- Dissociation of time -- Music -- a pseudomorphism of painting -- Theory of ballet music -- Modes of listening -- The deception of objectivism -- The final trick -- Neoclassicism -- Experiments in expansion -- Schoenberg and Stravinsky -- Note to the third edition -- Notes Translators' Introduction -- Preface -- Introduction -- Schoenberg and Progress -- Stravinsky and Restoration -- Index Subject Schoenberg, Arnold, 1874-1951 -- Criticism and interpretation Stravinsky, Igor, 1882-1971 -- Criticism and interpretation SUBJECT Schoenberg, Arnold, 1874-1951. fast (OCoLC)fst00051867 Stravinsky, Igor, 1882-1971. fast (OCoLC)fst00038169 Subject Music -- 20th century -- History and criticism. Music -- Philosophy and aesthetics. Music. Music -- Philosophy and aesthetics. Genre/Form Criticism, interpretation, etc. Form Electronic book Author Mitchell, Anne G., translator Blomster, Wesley V., translator ISBN 9781350225206 1350225207

Other Titles Philosophie der neuen Musik. English

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