| Description |
342 pages : chiefly colour illustrations ; 30 cm |
|
regular print |
| Series |
Adelaide biennial of Australian art ; 2012 |
|
Adelaide biennial of Australian art ; 2012
|
| Contents |
The tracking shot -- The descent / Foster & Berean -- The whorl / Tim Silver -- The assertion / Marco Fusinato -- The slice / Daniel Crooks -- The parallel / Shaun Gladwell -- The leaking / Rosemary Laing -- The river / Jonathan Jones -- The crossing / Yvonne Koolmatrie -- The repeat / Tom Nicholson -- The collision / Marco Fusinato -- The vessel / Ricky Swallow -- The mirror / Michelle Ussher -- The body / Pat Brassington -- The debased / Rob McLeish -- The trespass / Robert Cook vs Max Pam -- The collapse / Tim Silver -- The return / Timothy Cook -- The gravity / Shaun Gladwell -- The void / Stephen Bram -- The incursions -- The solidarity / Richard Bell -- The explorer / Nicholas Folland -- The snake / Susan Jacobs -- The echo / Philip Samartzis -- The oral / Philip Brophy -- The redux -- The redux / Foster & Berean ... [et al.] -- The offering -- The offering / Raimundas Malasauskas ... [et al.] -- The collaborators -- The curators / Natasha Bullock & Alexie Glass-Kantor -- The advocates / Nici Cumpston & Lisa Slade -- The wordsmith / Claire Armstrong -- The architect / Jan van Schaik -- The identity / Fabio Ongarato & Daniel Peterson |
| Summary |
Parallel Collisions: 12th Adelaide Biennial of Australian Art is the only major biennial dedicated solely to presenting contemporary Australian art and is a flagship exhibition of the Adelaide Festival. This exhibition publication is conceived as an offering, an integral yet autonomous object that presents eleven speculative approaches to the ideas presented by the art and the exhibition. This full colour publication mirrors the structure of the exhibition yet is not designed as a true representation. By giving ample scope and breadth to reproductions and by dedicating pages to the creation of original artwork or ancillary research material, this publication was developed with the artist's visual practices at the forefront of our minds |
| Analysis |
Australian |
| Notes |
Issued in slipcase |
|
Published to accompany the exhibition held at the Art Gallery of South Australia, Adelaide, 2 March to 29 April 2012, as part of the Adelaide Festival |
| Bibliography |
Includes bibliographical references |
| Audience |
General |
|
Tertiary/Undergraduate |
| Notes |
Published to accompany the exhibition held at the Art Gallery of South Australia, Adelaide, 2 March to 29 April 2012, as part of the Adelaide Festival |
| Subject |
Adelaide Biennial of Australian Art (2012)
|
|
Art, Australian -- 21st century -- Exhibitions.
|
| Genre/Form |
Exhibition catalogs.
|
| Author |
Bullock, Natasha, curator
|
|
Glass-Kantor, Alexie, curator
|
|
Art Gallery of South Australia, host institution
|
|
Adelaide Festival (27th : 2012)
|
| LC no. |
2012427257 |
| ISBN |
9781921668111 |
|
